Episodes of daily life in the region of Beira Baixa, its monuments and industries. Views of Sabugal, Caria and Quadrazais. Images of the bottling of Caria’s Water and of a wild boar hunting.
Incomplet. The film follows the arrival in Lisbon of a UFA delegation to shoot some of the scenes of Estupefacientes/Der Weisse Damon (Kurt Gerron, 1932) and its french version (Stupéfiants).
A film about chestnut groves. Images of chestnut harvesting and processing, chestnut roasters and street sale.
Views of Estoril – casino and garden, villas, hotels and palaces, beach, train station, tennis court.
Launching of the aerial squadron initiating the cruise to the African colonies from the Aerodrome of Amadora.
Footage of several fire drills.
Compilation of films produced in 1903: the Royal Majesties assist the opening of the Afonso de Albuquerque’s Memorial; at a Procession; in Batalha’s Monastery.
Aviation exhibition.
Portrait.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame.
Film frame.
Film frame
film frame
Diary notebook of the filming of whale hunt by Antunes da Mata.
Article defending the need of producing Portuguese colonial films.
Notes on the work of film director José Branco Gomes Barata.
Film review.
Notes on the film ‘Como se faz um jornal’, and the founding of a unit dedicated to producing colonial films.
Notes on the team work; set still of Fernandez Tomaz.
Notes on the film works of José César de Sá and Fernandez Tomaz.
Notes on how documentary films about Portugal can contribute to tourism reinforcement.