Unedited footage. Equestrian Centre in Campo Grande, Lisbon: shots of a horse ride and the audience.
Images of the village and its surroundings (Porches’ hill, film-theatre, church square, Carvoeiro Beach). Unedited footage.
Unedited footage. The site and prep work for the festivities of São Torcato (a religious celebration which usually includes the blessing of animals and a livestock contest), in Guimarães.
Corporate journey in Vila Nova de Gaia and Oporto in 18th April 1936. Includes food and clothes distribution to the poor.
Unedited footage. Advertising film of canned tuna produced by the company Mello, Castello Branco, Ltd.
The film follows the visit of a delegation of foreign writers to Portugal.
Unedited footage on the city of Coimbra and some of its touristic spots: the Mondego river, Santa Clara bridge and monastery, Toll Square, University and Old Cathedral.
Unedited footage. Religious cerimonies at Cova da Iria. Pilgrims on their way to the sanctuary. Religious procession.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Film frame
Silvino Santos filming the Teotonio fall for the film commissioned by J. G. de Araujo from Manaus.
Film frame
On the Law of 1927 establishing as mandatory the exhibition of a 100m Portuguese film in every theatrical screenings
Notes on the need of a law enforcing the protection of the Portuguese film industry.
Short note on the inexistance of Portuguese legislation on film industry.
A foretaste of Portuguese cinema's success in the year of 1930.
Notes on the educational potential of film.
On the potentials of sound film for the recording of Portugal’s oral traditions.
A protest on the fragmentation of a film about Angola as a way for exhibitors to enforcing the law.
Notes on a group of documentary films and on documentary cinema in general.