Dokumentarfilm über den Lebensweg und den Alltag einer bayerischen Jungbäuerin. Über einen Zeitraum von zehn Jahren begleitete der Filmemacher Matti Bauer die junge Bauerntochter Uschi. Er schilder...
The late Sir William Gillies, speaks of his life's work while the camera lingers on his paintings.
Documentary shot for Johnnie Walker & Sons showing the process and production of Johnnie Walker Whisky.
A drummer in his forties named Alkis, who is a left-over from the ‘50s and ‘60s, lives isolated in a villa together with his bitter memories. He hides a very dark side of himself. Every now and th...
The paintings or photographs follow in quick succession. First, Franz Josef as a young man, dissolving to him as an old man. His villa at Bad-Ischl. Wilhelm II of Germany with Franz Josef. Franz Josef...
A tomboy, who lives on the hard and violent fringe of society, struggles to stay alive and unharmed. She grows up and becomes a real woman, despite a series of difficult situations, with the fatal inj...
Historique de 1913 à 1918 réalisé par les anciens de cette formation et dédié aux Dr Lardennois et Rouvillois, chefs du service de santé. Description, fonctionnement et évolution de la structu...
Szene aus "The White Room"
Szene aus "Hundert Jahre Brecht"
Lissy Arna, Hans Stüwe
Szene aus "Furcht"
John Malkovich, Volker Schlöndorff (vorne, v.l.n.r.) (Dreharbeiten)
Wilhelm Dieterle, Margarete Lanner
Brigitte Grothum
Bozidar Kocevski (right) in "Darkroom" (2019)
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.