A recording of a studio rehearsal for Economy in a Straightjacket but Still Room for Movement.
A look at Cumbernauld whilst much of the area is still under construction.
Still images illustrate the history of artists in Kirkcudbright, especially E.A. Hornel and Jessie M. King.
Unedited footage. Images of the Carmo's ruins, in Lisbon. Still frames.
Interviews with members of the shipyard team who built the liner Queen Elizabeth 2; held before the launch, when the ship was still known as Q4.
Dunkirk is still partly under the ruins. The President of the Council Paul Ramadier came to visit a housing construction site, while the port starts its activities again.
The work of Charles Rennie Mackintosh, with detailed commentary. Footage is mainly of still images (including Glasgow School of Art, Hill House, Willow Tearoom).
General views of various stages of the construction of the Erskine Bridge in Renfrewshire, using a combination of live action and still photography.
STILL ABOUT G. DALIANIDIS’ “MERMAIDS AND TOUGH GUYS” (LES PERLES GREQUES) : THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT GAZIADIS BROS’ FILM “THE STORM”. DRAMA DRAWN ON GREEK REALITY AND FILMED ON LOCATION AT SOME OF THE MOST MAGNIFICENT LANDSCAPES IN GREECE.
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the front cover].
STILL ABOUT MIHALIS KAKOGIANNIS’ “IPHIGENIA” IN ENGLISH AND FRENCH: A SUMMARY OF THE PLOT, THE FACTORS OF PRODUCTION’S BIOGRAPHICAL NOTES AND A LOT OF PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ “MEMORIES OF A SUNDAY”: A SUMMARY OF THE PLOT, CAST, FACTORS OF PRODUCTION AND PHOTOS. [photo of the front cover].
STILL ABOUT G. STAMPOULOPOULOU’S “MARCHING ON GLORY” WITH THE PLOT IN THREE LANGUAGES: ENGLISH, FRENCH AND GERMAN. [photo of the flyer’s one side].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.