A recording of a studio rehearsal for Economy in a Straightjacket but Still Room for Movement.
A look at Cumbernauld whilst much of the area is still under construction.
Still images illustrate the history of artists in Kirkcudbright, especially E.A. Hornel and Jessie M. King.
Unedited footage. Images of the Carmo's ruins, in Lisbon. Still frames.
Interviews with members of the shipyard team who built the liner Queen Elizabeth 2; held before the launch, when the ship was still known as Q4.
Dunkirk is still partly under the ruins. The President of the Council Paul Ramadier came to visit a housing construction site, while the port starts its activities again.
The work of Charles Rennie Mackintosh, with detailed commentary. Footage is mainly of still images (including Glasgow School of Art, Hill House, Willow Tearoom).
General views of various stages of the construction of the Erskine Bridge in Renfrewshire, using a combination of live action and still photography.
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].
STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.
STILL ABOUT PAVLOS TASIOS’ “PARANGELIA” IN ENGLISH: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.