Documentary about the beach of es Trenc and the Salobrar of Campos and the threat that supposes the urban excess for these natural spaces. The flora of these still unspoilt areas is formed by dis gras...
Documentary about the beach of es Trenc and the Salobrar of Campos and the threat that supposes the urban excess for these natural spaces. The flora of these still unspoilt areas is formed by dis gras...
Black SheepThe film′s five episodes play in five different Berlin boroughs and feature numerous well-known young actors. It tells a story of pubescent boys with big mouths, aspiring young entreprene...
Deserted, the red brick house stands in the barren coast area. For the first time since the funeral of his father, Marten returns to his old family home. There he waits for his brother Volker, whom he...
In order to raise money for a motor boat ride, Nairn and Muriel decide to sell the vegetables they have growing in their own small allotments, at a local garden sale. However, their plants are still ...
Following the suggestions of Cesare Pavese’s story “Among Women Only” this documentary presents particular moments and aspects of the city of Turin as it has been described by poets and wr...
The film of the fountains gives a very good idea of their beauty, and brings Rome to New York. The plaza of St. Peter's with his grand architecture, is still more embellished by the beautiful fo...
Documentary about the municipality of Heerlen and its surroundings As the beginning of this documentary reports, the population of Heerlen has tripled over the past decade due to the arrival of the mi...
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.