Although Teddy Schu, a fish vendor, works part-time as a newspaper deliverer, he still does not have enough money to live a decent life, much to the chagrin of his wife. But jazz music is Teddy′...
AntibodiesAfter the savage murder of a little girl in his rural hometown, police officer Martens travels to Berlin in order to get a confession from incarcerated serial killer Gabriel Engel. But Engel...
Deserted, the red brick house stands in the barren coast area. For the first time since the funeral of his father, Marten returns to his old family home. There he waits for his brother Volker, whom he...
Women and football. Despite growing public interest, professional female players are chronically marginalized. Many men still claim that women can't play competitive ball, and even esteemed female col...
Tonbild zum Duett "O du lieber, o du g'scheiter, o du ganz gehauter Fratz", auch bekannt als "Sei still, du mein reizendes Mäderl", aus dem zweiten Akt von Oscar Straus' Operette "Ein Walzertraum", d...
Documentary about the municipality of Heerlen and its surroundings As the beginning of this documentary reports, the population of Heerlen has tripled over the past decade due to the arrival of the mi...
Documentary about Enkhuizen The film opens with a panoramic shot filmed from a church tower. From the tower, we can see the old town of Enkhuizen and, in the background, the former Zuiderzee. The docu...
A moral drama about a man who robs his foreign friend when he thinks that this friend has died, even though he knows that the man has a wife and children. His conscience nags at him when he sees the e...
Karoline Herfurth, Ken Duken
Gottfried John, Barbara Sukowa ("Berlin Alexanderplatz" Teil 1-14)
Tadhg Murphy in "Lost in the Living" (2018)
"Leaning into the Wind - Andy Goldsworthy" (2017)
Szene aus "Korczak"
"Harald Naegeli - Der Sprayer von Zürich" (2021)
Frederick Lau, Katharina Thalbach in "Wuff - Folge dem Hund" (2018)
Uschi Glas, Walter Giller
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.