Although Teddy Schu, a fish vendor, works part-time as a newspaper deliverer, he still does not have enough money to live a decent life, much to the chagrin of his wife. But jazz music is Teddy′...
AntibodiesAfter the savage murder of a little girl in his rural hometown, police officer Martens travels to Berlin in order to get a confession from incarcerated serial killer Gabriel Engel. But Engel...
Deserted, the red brick house stands in the barren coast area. For the first time since the funeral of his father, Marten returns to his old family home. There he waits for his brother Volker, whom he...
Women and football. Despite growing public interest, professional female players are chronically marginalized. Many men still claim that women can't play competitive ball, and even esteemed female col...
Tonbild zum Duett "O du lieber, o du g'scheiter, o du ganz gehauter Fratz", auch bekannt als "Sei still, du mein reizendes Mäderl", aus dem zweiten Akt von Oscar Straus' Operette "Ein Walzertraum", d...
Documentary about the municipality of Heerlen and its surroundings As the beginning of this documentary reports, the population of Heerlen has tripled over the past decade due to the arrival of the mi...
Documentary about Enkhuizen The film opens with a panoramic shot filmed from a church tower. From the tower, we can see the old town of Enkhuizen and, in the background, the former Zuiderzee. The docu...
A moral drama about a man who robs his foreign friend when he thinks that this friend has died, even though he knows that the man has a wife and children. His conscience nags at him when he sees the e...
Szene aus "Felidae"
"Aggregat" (2018)
Rudi Schuricke bei den Dreharbeiten
John Taylor (PlasticsEurope) erklärt die Vorzüge von Plastik
"Die Tarantel" (1919)
Szene mit Reinhold Schünzel (im weißen Mantel)
Friedrich Domin, Albert Lieven (v.l.n.r.)
Edith Posca, Eugen Klöpfer, Frida Richard (v.l.n.r.)
STILL ABOUT G. DALIANIDIS’ “MERMAIDS AND TOUGH GUYS” (LES PERLES GREQUES) : THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT GAZIADIS BROS’ FILM “THE STORM”. DRAMA DRAWN ON GREEK REALITY AND FILMED ON LOCATION AT SOME OF THE MOST MAGNIFICENT LANDSCAPES IN GREECE.
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the front cover].
STILL ABOUT MIHALIS KAKOGIANNIS’ “IPHIGENIA” IN ENGLISH AND FRENCH: A SUMMARY OF THE PLOT, THE FACTORS OF PRODUCTION’S BIOGRAPHICAL NOTES AND A LOT OF PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ “MEMORIES OF A SUNDAY”: A SUMMARY OF THE PLOT, CAST, FACTORS OF PRODUCTION AND PHOTOS. [photo of the front cover].
STILL ABOUT G. STAMPOULOPOULOU’S “MARCHING ON GLORY” WITH THE PLOT IN THREE LANGUAGES: ENGLISH, FRENCH AND GERMAN. [photo of the flyer’s one side].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.