They are called permanent singles, absolute beginners or people without relationship experience. They have never held hands or made out at the movies. They don't know how to find a partner or how one ...
Although Teddy Schu, a fish vendor, works part-time as a newspaper deliverer, he still does not have enough money to live a decent life, much to the chagrin of his wife. But jazz music is Teddy′...
AntibodiesAfter the savage murder of a little girl in his rural hometown, police officer Martens travels to Berlin in order to get a confession from incarcerated serial killer Gabriel Engel. But Engel...
Women and football. Despite growing public interest, professional female players are chronically marginalized. Many men still claim that women can't play competitive ball, and even esteemed female col...
Tonbild zum Duett "O du lieber, o du g'scheiter, o du ganz gehauter Fratz", auch bekannt als "Sei still, du mein reizendes Mäderl", aus dem zweiten Akt von Oscar Straus' Operette "Ein Walzertraum", d...
Verfilmung des Romans "Die letzte Liebe des Monsieur Armand" von Françoise Dorner: Seit dem Tod seiner geliebten Frau scheint das Leben von Matthew Morgan still zu stehen. Mehr als drei Jahre sind se...
The Whole ShebangThirtysomething Apple has no fond memories of her childhood: As the daughter of an erratic hippie mother from the Sixties, she had a rather chaotic upbringing in Southern Spain. And s...
Class Reunion 30 years have passed since Andreas, Nils and Thomas graduated from high school. When they receive an invitation for a class reunion, the three friends face a crisis as the big dreams and...
Ilse Stobrawa, Gustl Stark-Gstettenbaur (v.l.n.r.)
Daniel Krauss, Götz Burger (v.l.n.r.)
Szene aus "Peter Lump"
Szene mit Grethe Weiser
David Zimmerschied in "Kill Me Today, Tomorrow I'm Sick!" (2017/18)
Fabian Busch
Johann Hillmann, Stephan Kampwirth (v.l.n.r.)
David Kross, Detlev Buck (from left to right)
STILL ABOUT NIKOS KOUNDOUROS’ “THE OGRE OF ATHENS": THE FACTORS OF PRODUCTION AND THE PLOT IN FRENCH AND ITALIAN. [photo of the inside].
STILL ABOUT LAKIS PAPASTATHIS’ “THEOFILOS”: THE PLOT AND BIOGRAPHICAL NOTES ABOUT THE DIRECTOR. ALSO, THE FACTORS OF PRODUCTION AND CAST AS WELL AS PHOTOS.
STILL ABOUT M. KAKOGIANNIS’ “TROJAN WOMEN” WITH A LOT OF PHOTOS FROM THE FILMING UNDER M. KAKOGIANNIS’ DIRECTION.
STILL ABOUT G. ZERVOULAKOS “NAKED IN THE SNOW”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the inside].
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the back cover].
STILL ABOUT IOANNIS LOUMOS’ FILM “STELLA VIOLANTI”, ΑΠ' GR. XENOPOULOS’ STAGE PLAY WITH THE SAME TITLE; PRODUCTION “HELLAS FILM”; THE FACTORS OF THE PRODUCTION, CAST, PLOT AND A LOT...
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “NARRATIVE DESCRIPTION OF A SUNDAY”: A SUMMARY OF THE FILM, THE CAST, FACTORS OF THE PRODUCTION AND PHOTOS. [photo of the front cover].