They are called permanent singles, absolute beginners or people without relationship experience. They have never held hands or made out at the movies. They don't know how to find a partner or how one ...
Although Teddy Schu, a fish vendor, works part-time as a newspaper deliverer, he still does not have enough money to live a decent life, much to the chagrin of his wife. But jazz music is Teddy′...
AntibodiesAfter the savage murder of a little girl in his rural hometown, police officer Martens travels to Berlin in order to get a confession from incarcerated serial killer Gabriel Engel. But Engel...
Women and football. Despite growing public interest, professional female players are chronically marginalized. Many men still claim that women can't play competitive ball, and even esteemed female col...
Tonbild zum Duett "O du lieber, o du g'scheiter, o du ganz gehauter Fratz", auch bekannt als "Sei still, du mein reizendes Mäderl", aus dem zweiten Akt von Oscar Straus' Operette "Ein Walzertraum", d...
Verfilmung des Romans "Die letzte Liebe des Monsieur Armand" von Françoise Dorner: Seit dem Tod seiner geliebten Frau scheint das Leben von Matthew Morgan still zu stehen. Mehr als drei Jahre sind se...
The Whole ShebangThirtysomething Apple has no fond memories of her childhood: As the daughter of an erratic hippie mother from the Sixties, she had a rather chaotic upbringing in Southern Spain. And s...
Class Reunion 30 years have passed since Andreas, Nils and Thomas graduated from high school. When they receive an invitation for a class reunion, the three friends face a crisis as the big dreams and...
Tora Teje, Lars Hanson
Lars Hanson, Tora Teje
Tora Teje, Lars Hanson
Lars Hanson
Anders de Wahl, Karin Molander
Olaf Fönss
Still with Else Frölich (second from the right), Olaf Fönss (on the right)
Still from "Herrn Arnes Schatz"
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT TED ZARPA’S FILM “ELECTRA”: THE FACTORS OF PRODUCTION AND CAST
STILL ABOUT TASOS PSARRAS’ FILM “MAY”: THE PLOT, CAST AND FACTORS OF PRODUCTION.
STILL ABOUT THE FILM “MOURNING” BASED ON NINA KOKKALIDOU-NACHMIA’S NOVEL WITH THE SAME TITLE.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP). A FEW WORDS ABOUT THE FILM.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TED ZARPA’S FILM “ELECTRA”: THE FACTORS OF PRODUCTION AND CAST
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.