They are called permanent singles, absolute beginners or people without relationship experience. They have never held hands or made out at the movies. They don't know how to find a partner or how one ...
Although Teddy Schu, a fish vendor, works part-time as a newspaper deliverer, he still does not have enough money to live a decent life, much to the chagrin of his wife. But jazz music is Teddy′...
AntibodiesAfter the savage murder of a little girl in his rural hometown, police officer Martens travels to Berlin in order to get a confession from incarcerated serial killer Gabriel Engel. But Engel...
Women and football. Despite growing public interest, professional female players are chronically marginalized. Many men still claim that women can't play competitive ball, and even esteemed female col...
Tonbild zum Duett "O du lieber, o du g'scheiter, o du ganz gehauter Fratz", auch bekannt als "Sei still, du mein reizendes Mäderl", aus dem zweiten Akt von Oscar Straus' Operette "Ein Walzertraum", d...
Verfilmung des Romans "Die letzte Liebe des Monsieur Armand" von Françoise Dorner: Seit dem Tod seiner geliebten Frau scheint das Leben von Matthew Morgan still zu stehen. Mehr als drei Jahre sind se...
The Whole ShebangThirtysomething Apple has no fond memories of her childhood: As the daughter of an erratic hippie mother from the Sixties, she had a rather chaotic upbringing in Southern Spain. And s...
Class Reunion 30 years have passed since Andreas, Nils and Thomas graduated from high school. When they receive an invitation for a class reunion, the three friends face a crisis as the big dreams and...
Still with Victor Sjöström
Still from "Ich gab Dich zum Pfande"
Victor Sjöström
Gudrun Bruun, Olaf Fönss
Olaf Fönss
Olaf Fönss
Still from "Sperduti nel buio"
Rita Sacchetto, Olaf Fönss
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].
STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.
STILL ABOUT PAVLOS TASIOS’ “PARANGELIA” IN ENGLISH: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.