Although brothers Celal, Sami and Mesut are in their thirties, the three still live in their parents' small apartment in Frankfurt. Regarding their personalities, they couldn't be more different: Woma...
Although brothers Celal, Sami and Mesut are in their thirties, the three still live in their parents' small apartment in Frankfurt. Regarding their personalities, they couldn't be more different: Woma...
Documentary about the everyday life of eight people who are older than one hundred years. Five of them reside in an elderly home, three are still living on their own without much help from others. The...
Germany in 1989: After the fall of the Berlin Wall, Germany goes into paroxysms of delight, and the whole city of Berlin is partying. GDR citizen Veit wants to make use of his newly gained freedom to ...
Not long ago, Adam was a notorious hacker. Now, he has a legitimate job as a programmer, yet he is still convinced that he is the only reasonable person in the world. To put it short: Adam is still a ...
The canals running through the town are undamaged but the main girder bridge has been brought down. British soldiers of II Corps wait in the main square.Civilians watch while the British, of 40th Divi...
I. 'THE DUBLIN REBELLION. Exclusive pictures of the scene of the fighting in Dublin.' 'River Liffey and Embankment, British Troops and Artillery Marching through the streets of Dublin. Soldiers on gua...
I. 'WAR'S DEVASTATION. German prisoners employed in reconstruction work at Ribécourt 35 Kilometres behind the firing line.' LS pan as men move about with wheelbarrows shifting earth - ruined village ...
German movie poster of "Still" (2012/13)
"Still" (2012/13)
German movie poster of "Still" (2012/13)
"Still" (2012/13)
"Still" (2012/13)
"Still" (2012/13)
"Still" (2012/13)
Szene aus "Still"
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].
STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.
STILL ABOUT PAVLOS TASIOS’ “PARANGELIA” IN ENGLISH: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.