Class Reunion 30 years have passed since Andreas, Nils and Thomas graduated from high school. When they receive an invitation for a class reunion, the three friends face a crisis as the big dreams and...
Although brothers Celal, Sami and Mesut are in their thirties, the three still live in their parents' small apartment in Frankfurt. Regarding their personalities, they couldn't be more different: Woma...
Documentary about the everyday life of eight people who are older than one hundred years. Five of them reside in an elderly home, three are still living on their own without much help from others. The...
Germany in 1989: After the fall of the Berlin Wall, Germany goes into paroxysms of delight, and the whole city of Berlin is partying. GDR citizen Veit wants to make use of his newly gained freedom to ...
Not long ago, Adam was a notorious hacker. Now, he has a legitimate job as a programmer, yet he is still convinced that he is the only reasonable person in the world. To put it short: Adam is still a ...
The canals running through the town are undamaged but the main girder bridge has been brought down. British soldiers of II Corps wait in the main square.Civilians watch while the British, of 40th Divi...
I. 'THE DUBLIN REBELLION. Exclusive pictures of the scene of the fighting in Dublin.' 'River Liffey and Embankment, British Troops and Artillery Marching through the streets of Dublin. Soldiers on gua...
I. 'WAR'S DEVASTATION. German prisoners employed in reconstruction work at Ribécourt 35 Kilometres behind the firing line.' LS pan as men move about with wheelbarrows shifting earth - ruined village ...
Szene aus "Felidae"
"Aggregat" (2018)
Rudi Schuricke bei den Dreharbeiten
John Taylor (PlasticsEurope) erklärt die Vorzüge von Plastik
"Die Tarantel" (1919)
Szene mit Reinhold Schünzel (im weißen Mantel)
Friedrich Domin, Albert Lieven (v.l.n.r.)
Edith Posca, Eugen Klöpfer, Frida Richard (v.l.n.r.)
STILL ABOUT NIKOS KOUNDOUROS’ “THE OGRE OF ATHENS": THE FACTORS OF PRODUCTION AND THE PLOT IN FRENCH AND ITALIAN. [photo of the inside].
STILL ABOUT LAKIS PAPASTATHIS’ “THEOFILOS”: THE PLOT AND BIOGRAPHICAL NOTES ABOUT THE DIRECTOR. ALSO, THE FACTORS OF PRODUCTION AND CAST AS WELL AS PHOTOS.
STILL ABOUT M. KAKOGIANNIS’ “TROJAN WOMEN” WITH A LOT OF PHOTOS FROM THE FILMING UNDER M. KAKOGIANNIS’ DIRECTION.
STILL ABOUT G. ZERVOULAKOS “NAKED IN THE SNOW”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the inside].
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the back cover].
STILL ABOUT IOANNIS LOUMOS’ FILM “STELLA VIOLANTI”, ΑΠ' GR. XENOPOULOS’ STAGE PLAY WITH THE SAME TITLE; PRODUCTION “HELLAS FILM”; THE FACTORS OF THE PRODUCTION, CAST, PLOT AND A LOT...
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “NARRATIVE DESCRIPTION OF A SUNDAY”: A SUMMARY OF THE FILM, THE CAST, FACTORS OF THE PRODUCTION AND PHOTOS. [photo of the front cover].