Three different stories unfold in Athens during August, when the city is deserted and hot as hell. In story number one, a retired seaman, Nikolas, offers his help and hospitality to an unhappy middle-...
Kitsos from Gastouni comes to Athens and gets a job at a souvlaki place belonging to Dimos from Roumeli. Kitsos falls in love with his boss’ daughter, Zeta, but there is no response from her side. A...
Madame Sousou (Marika Nezer) believes that she is of aristocratic descent and pretends to be an impoverished grande dame in front of her neighbors in the poor area of town she lives in. Her husband (V...
Leon (Lampros Konstantaras) goes on vacation with his daughter (Xenia Kalogeropoulou) hoping to find her a rich husband. He finds out that some rich man (Christos Negas) is expected to arrive at the s...
When he wins the national lottery, Lampros (Lampros Konstantaras) is so frantically ecstatic that he ends up in an insane asylum. During his absence, his family announces that he’s away in the Congo...
The making of this film began in 1922 with the title “The Gypsy of Athens” and was not completed. However, excerpts, together with newsreels of the Asia Minor campaign and the following Disaster,...
Thanasis (Thanasis Vengos) has wanted to be a Courthouse Judge since he was a child, but his father stopped him from pursuing his ambition. Working at the coffee shop that he inherited from his father...
Andreas, nephew of the abbot of the Monastery of Dionysios, who died eight years previously, arrives at Agion Oros (Mount Athos) with a team of smugglers of antiquities, with the intention of stealing...
Nicolai Johannsen, Rita Sacchetto
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.