A posed group of the regiment's officers, six lying down, at least eleven standing up. These include the commanding officer, Lieutenant-Colonel A L Hadow, and the second-in-command, Lieutenant-Colonel...
Filmed on 3 April, the remaining evidence of the famous charge of Lord Strathcona's Horse of the Canadian Cavalry Brigade, 3rd Cavalry Division, at Moreuil Ridge on 30 March. The dismounted survivors ...
The film stresses local personalities (some mentioned by name) and details of local life. At the village pump a notice-board is used for newspapers to spread news of the war. Children play round a may...
A pan over a ruined village, Villers Bretonneux (?) filmed from a church tower, showing British troops and transport moving in the streets below. Two soldiers look out through the crenellations of the...
I. View from the deck of HMS Vindictive, sunk in the raid on Ostend, showing the rest of the harbour. The Germans have scuttled another vessel in the harbour, leaving only the funnel and masts showing...
The division, in marching column, enters the suburbs of the city. One of the leading battalions, led by its band, marches down a main street, being passed by trams. The Hohenzollern Bridge and Cologne...
(Reel 15) The episode starts with 'Justice'. Lloyd George, as Minister of Munitions, gives a public speech from an Army staff car. A montage of women and men operating various metal presses, drop hamm...
Soldiers make an attack from the trenches. One such soldier (in an acted sequence) is handed his discharge notice in the trench by an officer. The men who have been discharged board a ship to cross th...
"Still" (2012/13)
"Still" (2012/13)
"Still" (2012/13)
"Still" (2012/13)
Szene aus "Holding Still"
"Still Life" (2014)
"Still Life" (2014)
Filmplakat
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].
STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.
STILL ABOUT PAVLOS TASIOS’ “PARANGELIA” IN ENGLISH: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.