A posed group of the regiment's officers, six lying down, at least eleven standing up. These include the commanding officer, Lieutenant-Colonel A L Hadow, and the second-in-command, Lieutenant-Colonel...
Filmed on 3 April, the remaining evidence of the famous charge of Lord Strathcona's Horse of the Canadian Cavalry Brigade, 3rd Cavalry Division, at Moreuil Ridge on 30 March. The dismounted survivors ...
The film stresses local personalities (some mentioned by name) and details of local life. At the village pump a notice-board is used for newspapers to spread news of the war. Children play round a may...
A pan over a ruined village, Villers Bretonneux (?) filmed from a church tower, showing British troops and transport moving in the streets below. Two soldiers look out through the crenellations of the...
I. View from the deck of HMS Vindictive, sunk in the raid on Ostend, showing the rest of the harbour. The Germans have scuttled another vessel in the harbour, leaving only the funnel and masts showing...
The division, in marching column, enters the suburbs of the city. One of the leading battalions, led by its band, marches down a main street, being passed by trams. The Hohenzollern Bridge and Cologne...
(Reel 15) The episode starts with 'Justice'. Lloyd George, as Minister of Munitions, gives a public speech from an Army staff car. A montage of women and men operating various metal presses, drop hamm...
Soldiers make an attack from the trenches. One such soldier (in an acted sequence) is handed his discharge notice in the trench by an officer. The men who have been discharged board a ship to cross th...
Nicolai Johannsen, Rita Sacchetto
STILL ABOUT L. LIAROPOULOS’ FILM “LETTER FROM SARLEROI”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP) WITH THE FACTORS OF THE PRODUCTION AND CAST.
STILL ABOUT THE FILM “THE GIPSY WOMAN FROM ATHENS”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT NIKOS VERGITSIS’ “REVANCHE”: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “MURDER AT KOLONAKI”: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the front cover].
STILL ABOUT KOSTAS SFIKAS’ “PROMETHEUS ENANNTIODROMON”: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS.
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.