The film opens with a portrait still of Shackleton, followed by film of one of his expedition companions, Captain Hussey RN, getting out of his car in Montevideo. Various society mourners arrive by ca...
The hospital is a temporary affair of Nissen huts. The Queen and General Anthoine walk with their escort down a path between two huts and enter one of the wards.The village of Esnes has been reduced t...
The Tardenois offensive, starts with the bombardment of Chassins (?). Oulchy-la-Ville and Oulchy-le-Château, captured virtually undamaged by 41st Division. British soldiers of 34th Division rest by a...
Still portrait of Lieutenant Burney in an oval frame. Medium shot along Vickers assembly room. Women welders. Man finishes casings on a wheel. Paravane body tested in a small water tank. Bench assembl...
The camp is made up of bell tents and occasional prefabricated buildings. The cadets, some still in Army uniform but all with RAF caps, wander about talking and smoking. A physical training session of...
There is a large crowd with a number of policemen, milling about and uncertain. The captions say they are ignoring pacifist speeches, but this is not obvious.US Navy sailors enter one horse-drawn char...
The film starts with a scene meant to be of the mole at Zeebrugge in 1914 (in fact showing a British Caledon Class cruiser in 1917 or 1918 at another location). The mole after the British occupation o...
The Queen in her open carriage drives down the hill from Windsor Castle (visible in the background) past an honour guard of the Coldstream Guards to where flowers are arranged on stalls on either side...
Nicolai Johannsen, Rita Sacchetto
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT TED ZARPA’S FILM “ELECTRA”: THE FACTORS OF PRODUCTION AND CAST
STILL ABOUT TASOS PSARRAS’ FILM “MAY”: THE PLOT, CAST AND FACTORS OF PRODUCTION.
STILL ABOUT THE FILM “MOURNING” BASED ON NINA KOKKALIDOU-NACHMIA’S NOVEL WITH THE SAME TITLE.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP). A FEW WORDS ABOUT THE FILM.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TED ZARPA’S FILM “ELECTRA”: THE FACTORS OF PRODUCTION AND CAST
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.