The film is fully in the tradition of ethnographic documentary. The description of the Somali capital refers to the same cinematic medium, between the white of the ancient architecture of different pe...
A short documentary about Stuttgart before, during and after the war. The opening credits list a narrator, but the sound track appears to be lost. The camera portrays some of Stuttgarts architectural ...
Autour du Blaubach et du Waidmarkt, les dommages de guerre sont encore clairement visibles dans la Südstadt de Cologne. Les maisons sont en ruines tandis que les gens tentent de mener leur vie normal...
Butalin, who is peacefully sleeping in his room, is suddenly awakened by a crowd of creditors. But he does not deign to give them any answer. That is why the creditors decide to push the bed, with But...
The Devil's GeneralThe adaptation of the eponymous play by Carl Zuckmayer tells the story of renegade general Harras of the German Luftwaffe, who during WWII openly criticizes the Nazi regime. As a co...
In times when the world is growing ever closer together through the Internet, there are still places that are so remote or isolated that they exist virtually untouched by the rest of civilization. To ...
The Little Witch Adaptation of the eponymous children's book by Otfried Preußler: The little witch might be 127 years old, yet she is still way too young to take part in Walpurgisnacht, the biggest a...
Kati and her husband Felix have now been happily married for five years. Well, sort of. For the stressful everyday routine has slowly drained the romance from their relationship. When Kati meets Mathi...
Alicia Vikander in "Grenzenlos" (2017)
Szene mit Rudolf Fernau (Mitte)
Harry Piel, Dary Holm
Henny Porten
Szene aus "Der geköpfte Hahn"
Sergei Filin in "Bolschoi Babylon" (2013-15)
Szene aus "Der Geisterzug"
Szene aus "Werner - Beinhart!"
STILL ABOUT L. LIAROPOULOS’ FILM “LETTER FROM SARLEROI”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP) WITH THE FACTORS OF THE PRODUCTION AND CAST.
STILL ABOUT THE FILM “THE GIPSY WOMAN FROM ATHENS”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT NIKOS VERGITSIS’ “REVANCHE”: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “MURDER AT KOLONAKI”: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the front cover].
STILL ABOUT KOSTAS SFIKAS’ “PROMETHEUS ENANNTIODROMON”: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS.
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.