The film is fully in the tradition of ethnographic documentary. The description of the Somali capital refers to the same cinematic medium, between the white of the ancient architecture of different pe...
A short documentary about Stuttgart before, during and after the war. The opening credits list a narrator, but the sound track appears to be lost. The camera portrays some of Stuttgarts architectural ...
Autour du Blaubach et du Waidmarkt, les dommages de guerre sont encore clairement visibles dans la Südstadt de Cologne. Les maisons sont en ruines tandis que les gens tentent de mener leur vie normal...
Butalin, who is peacefully sleeping in his room, is suddenly awakened by a crowd of creditors. But he does not deign to give them any answer. That is why the creditors decide to push the bed, with But...
The emergency reconstruction after the 1915 earthquake is still the core of many villages of the Marsica area (in Abruzzo). This documentary is about the villages hit by the earthquake in their ...
Julius Neubronner (1852-1932), a chemist and inventor from Kronberg was one of the first people to film in the Rhine-Main region. In 1903 he acquired his first film camera, an Ernemann "Kino" for 17.5...
Outside, war is raging but in the chamber all is quiet. A young Afghan woman is sitting next to her older husband who is severely injured and in a coma. She takes care of him, she prays for him hoping...
The End of Silence Docudrama about the Frankfurt homosexual trials in 1950/51. They were the culmination of a wave of persecution against gays in the still young Federal Republic of Germany - supporte...
Ivan Desny
Screen shot from "Hunger Blockade Germany" [1919-1922]
Szene aus "Raskolnikow"
Leonard Bruckmann, Sophie Conrad
Katja Studt, Jürgen Vogel
4. Episode: Ten Minutes After
Cameron Monaghan, Nick Price, Chancellor Miller, Jonathan Pienaar (v.l.n.r.)
Szene aus "2012"
STILL ABOUT L. LIAROPOULOS’ FILM “LETTER FROM SARLEROI”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP) WITH THE FACTORS OF THE PRODUCTION AND CAST.
STILL ABOUT THE FILM “THE GIPSY WOMAN FROM ATHENS”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT NIKOS VERGITSIS’ “REVANCHE”: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “MURDER AT KOLONAKI”: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the front cover].
STILL ABOUT KOSTAS SFIKAS’ “PROMETHEUS ENANNTIODROMON”: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS.
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.