Industry tycoon K.O. Schott needs to get to an important meeting, and he needs to get there as fast as possible. Therefore, he orders a ride – but unknowingly ends up in the wrong limousine, which h...
In his documentary, Bernhard Sallmann explores the area between the Berlin Ringbahn and the city limits, an urban landscape with a changeful history. At the end of the 19th century, the area was consi...
The film mainly shows monarchs, including the Austrian Emperor Franz Joseph I at a military parade in Vienna in 1910, the Austrian Archduke Franz Ferdinand walking in the park at Reichenau, the German...
In 1920, former detective Peter Perg returns from two years as a prisoner of war in Russia to Vienna, which is in ruins. But the city is undergoing radical change: the Empire has collapsed, masses are...
Leo and Claire are in their mid-thirties, live in Munich and have been a couple for two years – but lately, their relationship has suffered, since their differences start to show: Claire is a ho...
Numerous films were produced in Germany during the Nazi reign from 1933 until 1945. They all need to be understood within the context of state-influenced production and ideological indoctrination. Aro...
Nike is about to start shooting her first feature film, a road movie that takes the protagonists and the audience on a journey across Italy. The film focuses on three young women who search for the me...
Muscular prison inmate Mosk has only one end in mind during his imprisonment: He wants to win the intra-prison weightlifting championship. Thus, he is not interested in the new and innovative reintegr...
Alicia Vikander in "Grenzenlos" (2017)
Szene mit Rudolf Fernau (Mitte)
Harry Piel, Dary Holm
Henny Porten
Szene aus "Der geköpfte Hahn"
Sergei Filin in "Bolschoi Babylon" (2013-15)
Szene aus "Der Geisterzug"
Szene aus "Werner - Beinhart!"
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.