Sequel to "Beste Zeit": Best friends Kati and Jo still yearn to get way from their rural hometown. After graduating from school, they finally go on their long-planned world trip – in a...
Industry tycoon K.O. Schott needs to get to an important meeting, and he needs to get there as fast as possible. Therefore, he orders a ride – but unknowingly ends up in the wrong limousine, which h...
In his documentary, Bernhard Sallmann explores the area between the Berlin Ringbahn and the city limits, an urban landscape with a changeful history. At the end of the 19th century, the area was consi...
Why Men Don’t Listen and Women Can’t Read Maps Based on the eponymous bestseller by Allan and Barbara Pease: Jan and Katrin are nothing less than a dream couple. Both are immensely attractive and ...
Numerous films were produced in Germany during the Nazi reign from 1933 until 1945. They all need to be understood within the context of state-influenced production and ideological indoctrination. Aro...
Submergence At Christmas time, the Scotsman James and the Swede Danielle get to know each other at a hotel in Normandy – and fall in love. Their professional duties, however, set them apart again so...
Submergence At Christmas time, the Scotsman James and the Swede Danielle get to know each other at a hotel in Normandy – and fall in love. Their professional duties, however, set them apart again so...
The Little Witch Adaptation of the eponymous children's book by Otfried Preußler: The little witch might be 127 years old, yet she is still way too young to take part in Walpurgisnacht, the biggest a...
Ivan Desny
Screen shot from "Hunger Blockade Germany" [1919-1922]
Szene aus "Raskolnikow"
Leonard Bruckmann, Sophie Conrad
Katja Studt, Jürgen Vogel
4. Episode: Ten Minutes After
Cameron Monaghan, Nick Price, Chancellor Miller, Jonathan Pienaar (v.l.n.r.)
Szene aus "2012"
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.