Kati and her husband Felix have now been happily married for five years. Well, sort of. For the stressful everyday routine has slowly drained the romance from their relationship. When Kati meets Mathi...
Hans-Christian who is in his mid-forties and whom everyone just calls H.C. has recently been left by his wife - a severe blow that he has trouble recovering from. In order to brighten the mood of love...
Journalist Hatice was raised as the daughter of Turkish immigrants who take pride in their successful integration into German society. Nevertheless, her father Ismail still sticks to some Anatolian tr...
Documentary film about the punk movement in East Germany that had been quite active in the German Democratic Republic and still is in today′s eastern part of Germany. During the time of the comm...
The Aftermath Hamburg, winter 1946: The British Rachel arrives in the city which has been badly destroyed during the war and where her husband Lewis, a British lieutenant colonel, is now responsible t...
Love Comes Lately This "literary road movie" (director Jan Schütte) is centered on the Jewish writer Max Kohn. Despite his rather old age, Max is still an agile charmer – and a readin...
Although members of the Hitler Youth chant anti-Semitic paroles in front of his house during the Purim festival, Rabbi Singer is still profoundly convinced that Germany will stay a safe country for hi...
Nowhere Young Danny has left his home town in the middle of nowhere behind and moved to Berlin to study business. The twentysomething enjoys big city life and independence. When his father dies unexpe...
Mark Waschke
Screenshot from "Salem No. 6 Episode 15"
Szene mit Hansjörg Felmy (rechts), Benno Hoffmann (2.v.l.)
Dani Levy, Peter Lohmeyer (from left to right) in "Hausmänner" (1991)
Maria Schell, Ivan Desny in "Herr über Leben und Tod" (1954/55)
"Geilermanns Töchter - Wenn Mädchen mündig werden" (1973)
Eva Bartok, O.E. Hasse
Emily Cox, Andrea Wenzl (from left to right)
STILL ABOUT L. LIAROPOULOS’ FILM “LETTER FROM SARLEROI”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP) WITH THE FACTORS OF THE PRODUCTION AND CAST.
STILL ABOUT THE FILM “THE GIPSY WOMAN FROM ATHENS”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT NIKOS VERGITSIS’ “REVANCHE”: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “MURDER AT KOLONAKI”: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the front cover].
STILL ABOUT KOSTAS SFIKAS’ “PROMETHEUS ENANNTIODROMON”: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS.
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.