The Finnish Olympic Team departing for Melbourne. Finnish glass at Kunsthalle Helsinki (Tapio Wirkkala, Saara Hopea, Theodor Käppi, Nanny Still). General Martola leaving for the USA. ‘Red Gold’ e...
The film contrasts young men leaving factory gates, "still at home" with older men "who have to go to war" while their wives and families wait behind. A parade of drill sergeants shows that they are a...
Ordinary life at the borders of Italy with France, Switzerland, Austria and Jugoslavia, between border controls and turism. At the end, the film remarks the Italianness of Trieste, still under allied ...
An amateur compilation of 'Cine Ramblings' including footage of the Eyemouth Maritime Festival, Norham Summer Scarecrow Festival, exteriors of Coldstream House as it was put on the market for sale, an...
Documentary about Hoorn This film about Hoorn focuses on the glorious past of this former VOC city. Hoorn is presented as a typical small town in Holland, where the prosperity of the past is still vi...
A panorama of the city. Views of the main square taken from the area of Hellfire Corner. The Cloth Hall, most of it still intact. Exterior and interior scenes of the cathedral, showing the west door a...
A working class man expresses dissatisfaction about dinner, protesting to his wife that their neighbour still makes suet puddings and dumplings. Sneaking a look through the neighbour's window on the f...
Displaced children in post-war Europe are eventually brought to Palestine. (Source: Steven Spielberg Jewish Film Archive)
Not only in contrast to an untroubled childhood in America but even in co...
Tora Teje, Lars Hanson
Lars Hanson, Tora Teje
Tora Teje, Lars Hanson
Lars Hanson
Anders de Wahl, Karin Molander
Olaf Fönss
Still with Else Frölich (second from the right), Olaf Fönss (on the right)
Still from "Herrn Arnes Schatz"
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.