Good-natured but timid Alekos from Thessaloniki has been seeing Voula for a long time, but he cannot make up his mind to marry her. Her brother Grigoris threatens to kill him if he doesn't soon come u...
A sympathetic watchmaker, Odysseas Akrivos, has arranged his life as regularly as clockwork. He lives with his son Angelos, a modern young man who plays music in a rock band, his daughter Katina, who ...
The Great Fanouris is head of a traveling act. Fanouris, his two children, Marina and Kotsos, and a clown named Babou, move around Greece and perform in small villages. In one of those villages, they ...
Manousos and Zafeiris own a lumber business and one day land a very good job. So Manousos leaves for Athens in order to buy the necessary tools as well as to propose to Eleni on behalf of his friend. ...
Anzac Beach in July 1915 (not "May, a month after the landing". See Notes - Summary). Men of the ANZAC Corps help build Watson's Pier. Further up the beach, caves and shelters have been dug into the h...
(Reel 1) Off the British coast, U-boat 32 attacks merchant ships. The German captain, Stackmeyer, is saluted by his Admiral, who warns that the blockade of Britain will be tightened; later, the U-boat...
Men of Australian 3rd Division, probably 4th Brigade, 13th (New South Wales) Battalion, inspecting from an observation tower the scale model of the battlefield laid out near Scherpenberg, about the si...
Damage in the Roye-Soissons area, showing many of the smaller towns and villages. Destroyed fruit trees. A desecrated cemetery at Tergnier. Damaged houses at Coucy-la-Ville and Coucy-le-Château. The ...
Szene aus "Felidae"
"Aggregat" (2018)
Rudi Schuricke bei den Dreharbeiten
John Taylor (PlasticsEurope) erklärt die Vorzüge von Plastik
"Die Tarantel" (1919)
Szene mit Reinhold Schünzel (im weißen Mantel)
Friedrich Domin, Albert Lieven (v.l.n.r.)
Edith Posca, Eugen Klöpfer, Frida Richard (v.l.n.r.)
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.