Count De Grancé and his wife have two degenerate children. For their adolescent daughter there is still some hope, as her main vice appears to be that she devours the novels of Emile Zola. The son le...
The Tin DrumGdansk, 1924. For the Matzerath family, a new child is born. From the moment of his birth, little Oscar is a rather precocious and perceptive lad. Already as a little baby within the arms ...
Zoro is bright and full of ideas, especially when it comes to getting his hands on money without following the law. The 13-year-old fled Afghanistan with his mother and sister and has been living in L...
Resist! – Rebellion of the Interns Till′s life is not moving on as he had expected it to. For years now, he has completed internship after internship but a permanent position is still not ...
Five women in conflict with the traditional beauty ideals and gender roles of Western societies: Sonja, for example, feels unattractive after the birth of her second child and tries everything to look...
If there were an ideal-typical Marshall Plan film, "Village without Words) would come very close to it. Surprisingly, in Kurland's film the ideal takes the form of a hymn, a celebration of aid and rec...
A patriotic film tinged with humor and sentimentalism. Stock footage (the crowded town, the departure of warships) and reconstructed war scenes in the desert are part of the second half about th...
Several years during and after the brotherly war against the monarchy-fascist Greek government, both Macedonian and Greek people were bleeding. 1949, after the defeat of the Democratic Army of Greece ...
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.