Many Happy Returns Matthias and Anna have been separated for some time, the only reason they still have contact is because of their seven-year-old son Lukas. On Lukas' birthday the two want to organiz...
Aerial shots taken of the construction of the Afsluitdijk causeway, which was completed in 1932. The plane circles above the construction activities, and shows the part of the dike that has already al...
Documentary about the inhabitants of Volendam Shots of Volendam, Urk, Spakenburg, and Marken were very popular in the early years of film. These villages had much to offer filmically, including their ...
Nach "Oderland. Fontane" und "Rhinland. Fontane" ist "Spreeland Fontane" der dritte Teil in einer Reihe dokumentarischer Film-Essays über Theodor Fontanes fünfbändige Reiseschilderung "Wanderungen ...
Come in and Burn Out Sascha has just started work at a call center. Like the unsociable Adrian and the single mother Marie, he is still looking for his place in life. Only Harms, the team leader, seem...
(Reel 1) Soldiers, probably 57th (West Lancashire) Division, use hoses and ladders to suppress a fire raging in one house. In the main square the streets have been cleared of rubble but all the buildi...
A young man leaves his hometown and is presumed missing after he deserted the army. Years later, his brother (Aris Lempesopoulos), who is a policeman, discovers fake documents that lead him to believe...
Another production based on the same operetta, with a mixed cast this time – actors from both stage and screen, as well as artists from the opera. Despite the time of the production, the film still ...
"We are still here" (2014/15)
Martijn Lakemeier, Jeroen Willems (from left to right) in "Oben ist es still" (2012/13)
Wim Opbrouck, Jeroen Willems (from left to right) in "Oben ist es still" (2012/13)
"We are still here" (2014/15)
Hartmut Becker, Dominique Sanda
German movie poster of "We are still here" (2014/15)
Martijn Lakemeier in "Oben ist es still" (2012/13)
Jeroen Willems, Henri Garcin (from left to right) in "Oben ist es still" (2012/13)
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].
STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.
STILL ABOUT PAVLOS TASIOS’ “PARANGELIA” IN ENGLISH: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.