Nach "Oderland. Fontane" und "Rhinland. Fontane" ist "Spreeland Fontane" der dritte Teil in einer Reihe dokumentarischer Film-Essays über Theodor Fontanes fünfbändige Reiseschilderung "Wanderungen ...
Many Happy Returns Matthias and Anna have been separated for some time, the only reason they still have contact is because of their seven-year-old son Lukas. On Lukas' birthday the two want to organiz...
Come in and Burn Out Sascha has just started work at a call center. Like the unsociable Adrian and the single mother Marie, he is still looking for his place in life. Only Harms, the team leader, seem...
Aerial shots taken of the construction of the Afsluitdijk causeway, which was completed in 1932. The plane circles above the construction activities, and shows the part of the dike that has already al...
Documentary about the inhabitants of Volendam Shots of Volendam, Urk, Spakenburg, and Marken were very popular in the early years of film. These villages had much to offer filmically, including their ...
(Reel 1) Soldiers, probably 57th (West Lancashire) Division, use hoses and ladders to suppress a fire raging in one house. In the main square the streets have been cleared of rubble but all the buildi...
A young man leaves his hometown and is presumed missing after he deserted the army. Years later, his brother (Aris Lempesopoulos), who is a policeman, discovers fake documents that lead him to believe...
Another production based on the same operetta, with a mixed cast this time – actors from both stage and screen, as well as artists from the opera. Despite the time of the production, the film still ...
Hartmut Becker, Dominique Sanda
German movie poster of "We are still here" (2014/15)
Filmplakat
Henri Garcin, Jeroen Willems (from left to right) in "Oben ist es still" (2012/13)
"We are still here" (2014/15)
Martijn Lakemeier, Jeroen Willems (from left to right) in "Oben ist es still" (2012/13)
"We are still here" (2014/15)
German movie poster of "The Innocent" ("... und der Himmel steht still", 1992/93)
STILL ABOUT G. DALIANIDIS’ “MERMAIDS AND TOUGH GUYS” (LES PERLES GREQUES) : THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT GAZIADIS BROS’ FILM “THE STORM”. DRAMA DRAWN ON GREEK REALITY AND FILMED ON LOCATION AT SOME OF THE MOST MAGNIFICENT LANDSCAPES IN GREECE.
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the front cover].
STILL ABOUT MIHALIS KAKOGIANNIS’ “IPHIGENIA” IN ENGLISH AND FRENCH: A SUMMARY OF THE PLOT, THE FACTORS OF PRODUCTION’S BIOGRAPHICAL NOTES AND A LOT OF PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ “MEMORIES OF A SUNDAY”: A SUMMARY OF THE PLOT, CAST, FACTORS OF PRODUCTION AND PHOTOS. [photo of the front cover].
STILL ABOUT G. STAMPOULOPOULOU’S “MARCHING ON GLORY” WITH THE PLOT IN THREE LANGUAGES: ENGLISH, FRENCH AND GERMAN. [photo of the flyer’s one side].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.