This is a compilation film consisting of three stories, rendered with a sense of humor, romanticism and tragedy, all of which are supposedly born of the kind of life that forces girls, like the heroin...
The "Deuxième Bataille Offensive de Verdun" opens with a bombardment. A 145mm naval gun firing under tarpaulin, showing its loading mechanism clearly. Other guns join in - a 155mm heavy howitzer, a 7...
The soldiers bring the full coaltrucks out to the surface of the mine. The coal is dumped from the trucks and horse-wagons are loaded from the dump. A traction engine runs a coal-crusher. A few soldie...
A rear view, from a sandbagged bunker, of a flame-projector nozzle angled upwards from a solid base. Pipes lead back to fuel cylinders in the bunker. These are operated by a civilian and an Army offic...
(Reel 1) The film opens by stating that as the basis for the expansion of the Army in wartime the TA "may be a factor in the maintenance of peace". Men of 4th Battalion, Northamptonshire Regiment, mar...
Chang's Army of Fengtien, with Russian assistance, advances down the coast of the Gulf of Chihli, the territory of the warlord Wu Pei-Fu of Peking. Most of the battle sequences are clearly reconstruct...
(Reel 1) The icebreaker SS Canada brings the cameraman and his colleagues into Archangel harbour in the middle of winter. The locals, in full furs, use sledges for transportation, some of them drawn b...
I. 'GERMAN SUBMARINE COMES TO LONDON. The German submarine-minelayer U.C.5 captured by the British Navy, moored off Temple Pier'. MS off the port quarter of UC.5 secured alongside the pier - old Londo...
Ilse Stobrawa, Gustl Stark-Gstettenbaur (v.l.n.r.)
Daniel Krauss, Götz Burger (v.l.n.r.)
Szene aus "Peter Lump"
Szene mit Grethe Weiser
David Zimmerschied in "Kill Me Today, Tomorrow I'm Sick!" (2017/18)
Fabian Busch
Johann Hillmann, Stephan Kampwirth (v.l.n.r.)
David Kross, Detlev Buck (from left to right)
STILL ABOUT G. DALIANIDIS’ “MERMAIDS AND TOUGH GUYS” (LES PERLES GREQUES) : THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT GAZIADIS BROS’ FILM “THE STORM”. DRAMA DRAWN ON GREEK REALITY AND FILMED ON LOCATION AT SOME OF THE MOST MAGNIFICENT LANDSCAPES IN GREECE.
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the front cover].
STILL ABOUT MIHALIS KAKOGIANNIS’ “IPHIGENIA” IN ENGLISH AND FRENCH: A SUMMARY OF THE PLOT, THE FACTORS OF PRODUCTION’S BIOGRAPHICAL NOTES AND A LOT OF PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ “MEMORIES OF A SUNDAY”: A SUMMARY OF THE PLOT, CAST, FACTORS OF PRODUCTION AND PHOTOS. [photo of the front cover].
STILL ABOUT G. STAMPOULOPOULOU’S “MARCHING ON GLORY” WITH THE PLOT IN THREE LANGUAGES: ENGLISH, FRENCH AND GERMAN. [photo of the flyer’s one side].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.