I. 'SOUTH LONDON HEROES. Dr. Taylor the Bishop of Kingston unveils a War Shrine in memory of local heroes at St. Mark's Kennington'. Boy Scout band marches through the gates to Saint Mark's - Oval tub...
I. MS of group posed for the camera - Amelie is a tall woman, taller than the two civic dignitaries who stand to either side. The ex-Queen inspects the Guides (they are very young - Brownies ?). A sma...
I. 'WHY THE GERMAN FLEET IS IDLE. A fear of the British Leviathans which make mutiny in the German Navy preferable to action.' LS off the port beam of HMS Collingwood and pan right to Orion Class batt...
I. 'NOTABILITIES. THE U-MEN AND THE MEN-U. Sir Arthur Yapp with the famous clock which registered the subscriptions during his hurricane campaign for the Y.M.C.A.' MS profile of Sir Arthur at his desk...
A central message of the modernization program, which was the ERP, lay in the promise that the increase in productivity would also, and above all, benefit the consumer via the resulting fall in prices...
In World War I, Romania is still neutral. In Bucharest, people demonstrate for entering the war alongside the Entante and freeing the Romanians from Transylvania. Mares, the leader of the Students’ ...
Little Momi’s father has left to be a soldier and his letters are eagerly anticipated by his family at home. In one of them he recounts the adventure of little highlander Berto, who saved his mother...
Documentation of Radio Bern from the radio studio. News, broadcasting operations, interview preparation. Reporters with broadcast units. Teleprinting room. Writing the manuscripts, installation. Show ...
German movie poster of "The Innocent" ("... und der Himmel steht still", 1992/93)
Anke Engelke in "Doktor Proktors Pupspulver" (2013/14)
Emily Glaister, Marian Saastad Ottesen (from left to right) in "Doktor Proktors Pupspulver" (2013/14)
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.