One day, on the island of Lesbos, a shepherd by the name of Lamonas finds an abandoned little boy sucking milk from the teats of a goat. The shepherd calls the boy Dafnis and takes him as his own chil...
The film is partially completed, and shows some signs of proper editing, but scenes may break off abruptly in one reel and resume in another reel. Throughout the film numerous reporters, press photogr...
"A love story, not only, it probably revolves around passion, but also around dear money." - (Lovers); "In 1950, 340 - 350,000 apartments were completed, in them can accommodate 1.5 million residents,...
Spot Nr. 1 (00:36): SIEMENS / Bildmeister "Jahreszeiten": On the screen of a TV set, first text: „Evening after evening, year after year after year, color TV sets Siemens Bildmeister.“ Color pictu...
Reel 1: In the introduction, the film separates the old and the new Bern. The old part: Münster cathedral, fountains, streets in the old town. The new part: Gymnasium Kirchenfeld, Hotel Savoy. 2nd p...
On the eve of World War II in Athens, a group of young people have established a theatrical group, planning to stage Shakespeare’s "Midsummer Night’s Dream". The outbreak of war, however, changes...
In a village in the Peloponnese, on the slopes of Mt. Chelmos, lives rich sheep owner Mitros with his wife Asimina, his son Thymios and adopted daughter Astero. The children love each other, but Mitro...
A woman (Peri Poravou) wanders around a deserted beach in a provincial town with her 10-year-old son (Panos Gkiokas). The following day, she has to leave her son with her ex-husband (Nikiforos Naneris...
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “HELLENISM’S ANGUISH”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE SKY” WITH REVIEW EXTRACTS FROM THE GREEK PRESS.
STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER” (LETTRE OUVERTE) WITH A FEW WORDS ABOUT THE FILM.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.