The captions stress that, although "not quite the Flanders variety" there is still a lot of mud in the battle for "our now almost wholly mechanised Army". In the rain small patrols of Cavalry and Infa...
A portrait still of Colonel T E Lawrence. The embarkation of supplies and sheep on SS Ozarda at Port Said, the journey to Jidda, and the disembarkation. Some irregular Bedouin horsemen of Prince Feisa...
The film may be out of time-sequence. It shows General Allenby talking to senior officers (none identifiable) in Cairo. This is followed by a procession of cars through the streets of the city. Allenb...
Naval officers wait on the ship's quarterdeck for the launch carrying the delegates to arrive. They come up the ladder and are greeted by the naval and liaison officers, wandering about aimlessly and ...
A cartographic problem that arose when the German-German border was to be erased. "The Border" provides an interesting explanation of an ancient German problem; which, although it has long since been ...
Nikolai II (1868-1918), the last Russian czar, son of Alexander III and Dagmar. He had been in Denmark on vacation with his parents several times. The royal houses usually met in September to celebrat...
Members of the Icelandic parliament visited Denmark in order to discuss the relationship between Iceland and Denmark. Iceland had in 1904 acquired home rule, but the wish for full independence was pro...
Après la Seconde Guerre mondiale, les trains repassent par la gare centrale de Cologne, mais les dommages de guerre sont encore bien visibles. Les gens entrent dans la station par des entrées détru...
Jeroen Willems, Henri Garcin (from left to right) in "Oben ist es still" (2012/13)
"We are still here" (2014/15)
Filmplakat
"We are still here" (2014/15)
Martijn Lakemeier, Jeroen Willems (from left to right) in "Oben ist es still" (2012/13)
"We are still here" (2014/15)
Hartmut Becker, Dominique Sanda
German movie poster of "We are still here" (2014/15)
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.
STILL ABOUT PAVLOS TASIOS’ “PARANGELIA” IN ENGLISH: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS. [photo of the back cover].
STILL ABOUT STELIOS TATASOPOULOS’ FILM : FRONT COVER, FILM REVIEW, A FEW WORDS ABOUT THE PLOT, THE FACTORS OF THE PRODUCTION AND THE CAST. [photo of the front cover].
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE EXCURSION”: THE PLOT, CAST, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT VASILIS MARIOLIS’ FILM “PSAROGIANNOS” WITH THE FACTORS OF THE PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the inside].
STILL ABOUT THE FILM “MURDER AT KOLONAKI” WITH THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the back cover].
STILL ABOUT TH. ANGELOPOULOS’ “LANDSCAPE IN THE MIST” (PAYSAGE DANS LE BROUILLARD) IN FRENCH: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS. [photo of the front cover].
STILL ABOUT THE FILM “BATTLE HYMN”: THE FACTORS OF PRODUCTION, COMMENTS ABOUT THE FILM AND A PHOTOGRAPH-SCENE FROM THE FILM.