The captions stress that, although "not quite the Flanders variety" there is still a lot of mud in the battle for "our now almost wholly mechanised Army". In the rain small patrols of Cavalry and Infa...
A portrait still of Colonel T E Lawrence. The embarkation of supplies and sheep on SS Ozarda at Port Said, the journey to Jidda, and the disembarkation. Some irregular Bedouin horsemen of Prince Feisa...
The film may be out of time-sequence. It shows General Allenby talking to senior officers (none identifiable) in Cairo. This is followed by a procession of cars through the streets of the city. Allenb...
Naval officers wait on the ship's quarterdeck for the launch carrying the delegates to arrive. They come up the ladder and are greeted by the naval and liaison officers, wandering about aimlessly and ...
A cartographic problem that arose when the German-German border was to be erased. "The Border" provides an interesting explanation of an ancient German problem; which, although it has long since been ...
Nikolai II (1868-1918), the last Russian czar, son of Alexander III and Dagmar. He had been in Denmark on vacation with his parents several times. The royal houses usually met in September to celebrat...
Members of the Icelandic parliament visited Denmark in order to discuss the relationship between Iceland and Denmark. Iceland had in 1904 acquired home rule, but the wish for full independence was pro...
Reportage about the 3 October celebrations in Leiden. On October 3, 1574, the population of Leiden was liberated from the Spanish besiegers. Led by Louis de Boisot, the seafaring Guezen entered the ci...
Szene aus "Felidae"
"Aggregat" (2018)
Rudi Schuricke bei den Dreharbeiten
John Taylor (PlasticsEurope) erklärt die Vorzüge von Plastik
"Die Tarantel" (1919)
Szene mit Reinhold Schünzel (im weißen Mantel)
Friedrich Domin, Albert Lieven (v.l.n.r.)
Edith Posca, Eugen Klöpfer, Frida Richard (v.l.n.r.)
STILL ABOUT G. DALIANIDIS’ “MERMAIDS AND TOUGH GUYS” (LES PERLES GREQUES) : THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT GAZIADIS BROS’ FILM “THE STORM”. DRAMA DRAWN ON GREEK REALITY AND FILMED ON LOCATION AT SOME OF THE MOST MAGNIFICENT LANDSCAPES IN GREECE.
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the front cover].
STILL ABOUT MIHALIS KAKOGIANNIS’ “IPHIGENIA” IN ENGLISH AND FRENCH: A SUMMARY OF THE PLOT, THE FACTORS OF PRODUCTION’S BIOGRAPHICAL NOTES AND A LOT OF PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ “MEMORIES OF A SUNDAY”: A SUMMARY OF THE PLOT, CAST, FACTORS OF PRODUCTION AND PHOTOS. [photo of the front cover].
STILL ABOUT G. STAMPOULOPOULOU’S “MARCHING ON GLORY” WITH THE PLOT IN THREE LANGUAGES: ENGLISH, FRENCH AND GERMAN. [photo of the flyer’s one side].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.