The captions stress that, although "not quite the Flanders variety" there is still a lot of mud in the battle for "our now almost wholly mechanised Army". In the rain small patrols of Cavalry and Infa...
A portrait still of Colonel T E Lawrence. The embarkation of supplies and sheep on SS Ozarda at Port Said, the journey to Jidda, and the disembarkation. Some irregular Bedouin horsemen of Prince Feisa...
The film may be out of time-sequence. It shows General Allenby talking to senior officers (none identifiable) in Cairo. This is followed by a procession of cars through the streets of the city. Allenb...
Naval officers wait on the ship's quarterdeck for the launch carrying the delegates to arrive. They come up the ladder and are greeted by the naval and liaison officers, wandering about aimlessly and ...
A cartographic problem that arose when the German-German border was to be erased. "The Border" provides an interesting explanation of an ancient German problem; which, although it has long since been ...
Nikolai II (1868-1918), the last Russian czar, son of Alexander III and Dagmar. He had been in Denmark on vacation with his parents several times. The royal houses usually met in September to celebrat...
Members of the Icelandic parliament visited Denmark in order to discuss the relationship between Iceland and Denmark. Iceland had in 1904 acquired home rule, but the wish for full independence was pro...
Après la Seconde Guerre mondiale, les trains repassent par la gare centrale de Cologne, mais les dommages de guerre sont encore bien visibles. Les gens entrent dans la station par des entrées détru...
Ilse Stobrawa, Gustl Stark-Gstettenbaur (v.l.n.r.)
Daniel Krauss, Götz Burger (v.l.n.r.)
Szene aus "Peter Lump"
Szene mit Grethe Weiser
David Zimmerschied in "Kill Me Today, Tomorrow I'm Sick!" (2017/18)
Fabian Busch
Johann Hillmann, Stephan Kampwirth (v.l.n.r.)
David Kross, Detlev Buck (from left to right)
STILL ABOUT NIKOS KOUNDOUROS’ “THE OGRE OF ATHENS": THE FACTORS OF PRODUCTION AND THE PLOT IN FRENCH AND ITALIAN. [photo of the inside].
STILL ABOUT LAKIS PAPASTATHIS’ “THEOFILOS”: THE PLOT AND BIOGRAPHICAL NOTES ABOUT THE DIRECTOR. ALSO, THE FACTORS OF PRODUCTION AND CAST AS WELL AS PHOTOS.
STILL ABOUT M. KAKOGIANNIS’ “TROJAN WOMEN” WITH A LOT OF PHOTOS FROM THE FILMING UNDER M. KAKOGIANNIS’ DIRECTION.
STILL ABOUT G. ZERVOULAKOS “NAKED IN THE SNOW”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the inside].
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the back cover].
STILL ABOUT IOANNIS LOUMOS’ FILM “STELLA VIOLANTI”, ΑΠ' GR. XENOPOULOS’ STAGE PLAY WITH THE SAME TITLE; PRODUCTION “HELLAS FILM”; THE FACTORS OF THE PRODUCTION, CAST, PLOT AND A LOT...
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “NARRATIVE DESCRIPTION OF A SUNDAY”: A SUMMARY OF THE FILM, THE CAST, FACTORS OF THE PRODUCTION AND PHOTOS. [photo of the front cover].