Aus 15 teils tragischen, teils humorvollen Episoden bestehender Anthologie-Film, in dem unterschiedliche Protagonist*innen durch jeweils einen Tag in Berlin führen. Inspiriert sind die einzelnen Epis...
Reportage about the 3 October celebrations in Leiden. On October 3, 1574, the population of Leiden was liberated from the Spanish besiegers. Led by Louis de Boisot, the seafaring Guezen entered the ci...
Since his mother had a stroke, Stavros′ life has been turned upside down. He has to watch his mother all the time, his wife Dina has left him and he suffers from insomnia. His pride in being a t...
Love is a curious game: Udo is having an extramarital affair with Maya, who in turn wants a child from Silvan. Udo's wife Doris meanwhile learns that Silvan's intimate relationship with his intern –...
I. A battery of Field Artillery in medium shot moving rapidly across country, followed by a close-up of the last two guns passing a small hut at the trot. A stationary Medium A Whippet tank (B37, poss...
A pan over the village of Laffaux, under fire from French guns. German prisoners walk through the village of Chévillecourt. French troops wander through the ruins of the château at Coucy-le-Château...
Wie misst man die Zeit? Mal scheint sie zu rasen, mal steht sie still. Unser Empfinden für ihren Ablauf orientiert sich stets an dem, was um uns herum passiert. Doch was, wenn sich um uns herum nicht...
Short tragedy by Léon Boedels about an old man who has to watch his son getting tricked by his daughter-in-law, with serious consequences Misfortune, tragic developments, and a fatal ending dominated...
Ilse Stobrawa, Gustl Stark-Gstettenbaur (v.l.n.r.)
Daniel Krauss, Götz Burger (v.l.n.r.)
Szene aus "Peter Lump"
Szene mit Grethe Weiser
David Zimmerschied in "Kill Me Today, Tomorrow I'm Sick!" (2017/18)
Fabian Busch
Johann Hillmann, Stephan Kampwirth (v.l.n.r.)
David Kross, Detlev Buck (from left to right)
STILL ABOUT G. DALIANIDIS’ “MERMAIDS AND TOUGH GUYS” (LES PERLES GREQUES) : THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT GAZIADIS BROS’ FILM “THE STORM”. DRAMA DRAWN ON GREEK REALITY AND FILMED ON LOCATION AT SOME OF THE MOST MAGNIFICENT LANDSCAPES IN GREECE.
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the front cover].
STILL ABOUT MIHALIS KAKOGIANNIS’ “IPHIGENIA” IN ENGLISH AND FRENCH: A SUMMARY OF THE PLOT, THE FACTORS OF PRODUCTION’S BIOGRAPHICAL NOTES AND A LOT OF PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ “MEMORIES OF A SUNDAY”: A SUMMARY OF THE PLOT, CAST, FACTORS OF PRODUCTION AND PHOTOS. [photo of the front cover].
STILL ABOUT G. STAMPOULOPOULOU’S “MARCHING ON GLORY” WITH THE PLOT IN THREE LANGUAGES: ENGLISH, FRENCH AND GERMAN. [photo of the flyer’s one side].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.