Reportage about the 3 October celebrations in Leiden. On October 3, 1574, the population of Leiden was liberated from the Spanish besiegers. Led by Louis de Boisot, the seafaring Guezen entered the ci...
Aus 15 teils tragischen, teils humorvollen Episoden bestehender Anthologie-Film, in dem unterschiedliche Protagonist*innen durch jeweils einen Tag in Berlin führen. Inspiriert sind die einzelnen Epis...
Since his mother had a stroke, Stavros′ life has been turned upside down. He has to watch his mother all the time, his wife Dina has left him and he suffers from insomnia. His pride in being a t...
Love is a curious game: Udo is having an extramarital affair with Maya, who in turn wants a child from Silvan. Udo's wife Doris meanwhile learns that Silvan's intimate relationship with his intern –...
I. A battery of Field Artillery in medium shot moving rapidly across country, followed by a close-up of the last two guns passing a small hut at the trot. A stationary Medium A Whippet tank (B37, poss...
A pan over the village of Laffaux, under fire from French guns. German prisoners walk through the village of Chévillecourt. French troops wander through the ruins of the château at Coucy-le-Château...
Wie misst man die Zeit? Mal scheint sie zu rasen, mal steht sie still. Unser Empfinden für ihren Ablauf orientiert sich stets an dem, was um uns herum passiert. Doch was, wenn sich um uns herum nicht...
Short tragedy by Léon Boedels about an old man who has to watch his son getting tricked by his daughter-in-law, with serious consequences Misfortune, tragic developments, and a fatal ending dominated...
STILL ABOUT L. LIAROPOULOS’ FILM “LETTER FROM SARLEROI”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP) WITH THE FACTORS OF THE PRODUCTION AND CAST.
STILL ABOUT THE FILM “THE GIPSY WOMAN FROM ATHENS”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT NIKOS VERGITSIS’ “REVANCHE”: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “MURDER AT KOLONAKI”: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the front cover].
STILL ABOUT KOSTAS SFIKAS’ “PROMETHEUS ENANNTIODROMON”: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS.
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.