Anna, a girl from the country, sets out through the flowers with her purse and basket for the post office (actually at Shepperton). She tells the man she meets outside the post office that she can spe...
The film opens with a still of Kitchener superimposed on the sea. Then a Union Jack being hoisted at a ship's stern (meant to represent the Hampshire). A diagram of the currents between the Orkneys an...
I. A long sequence of 2/4th Battalion, the Dorset Regiment, with its band leading, marching into Bethlehem (poor quality film). II. Allenby's visit to Bethlehem, 25 December 1917. He can be seen among...
The soldiers are from various regiments and branches. One group returns from bathing in the lake, carrying towels and wearing khaki drill uniforms and 'Wolseley' pattern sun helmets with badges on the...
Canadian transport wagons move through the streets, crowded with civilians. More civilians cross a fragile-looking plank bridge over the river, which has replaced a damaged iron bridge. Marching colum...
In the streets of Glasgow the crowds cheer and wave Union Jacks, good naturedly jostling the camera, which is down at street level with them. In Dublin the celebrations are more restrained, consisting...
The war still raged in Europe and Finnish Lapland, but in Helsinki, the new year, 1945, was welcomed extravagantly at the Exhibition Hall. Tauno Majuri (1907-1980), hosted the festivities; music was p...
Midsummer in the country and in the city. City dwellers travel to the countryside to enjoy midsummer sauna amongst the aroma of birch and rowan. Outdoor dance floors create the right mood for people o...
Filmplakat 02
Szene mit Rade Serbedzija (vorne)
Liesl Karlstadt, Karl Valentin
Szene mit Gustav Fröhlich
Szene mit Cate Blanchett
Hans-Werner Meyer (second from right), August Zirner (right) in "Contergan" (2007)
"Dark Eden - Der Albtraum vom Erdöl" (2018)
Werner Peters
STILL ABOUT L. LIAROPOULOS’ FILM “LETTER FROM SARLEROI”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT THE FILM “THE FLUTE SONG” (THE BLACK SHEEP) WITH THE FACTORS OF THE PRODUCTION AND CAST.
STILL ABOUT THE FILM “THE GIPSY WOMAN FROM ATHENS”: A FEW WORDS ABOUT THE FILM AND TWO PHOTOS.
STILL ABOUT NIKOS VERGITSIS’ “REVANCHE”: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
STILL ABOUT THE FILM “MURDER AT KOLONAKI”: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the front cover].
STILL ABOUT KOSTAS SFIKAS’ “PROMETHEUS ENANNTIODROMON”: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS.
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.