Anna, a girl from the country, sets out through the flowers with her purse and basket for the post office (actually at Shepperton). She tells the man she meets outside the post office that she can spe...
The film opens with a still of Kitchener superimposed on the sea. Then a Union Jack being hoisted at a ship's stern (meant to represent the Hampshire). A diagram of the currents between the Orkneys an...
I. A long sequence of 2/4th Battalion, the Dorset Regiment, with its band leading, marching into Bethlehem (poor quality film). II. Allenby's visit to Bethlehem, 25 December 1917. He can be seen among...
The soldiers are from various regiments and branches. One group returns from bathing in the lake, carrying towels and wearing khaki drill uniforms and 'Wolseley' pattern sun helmets with badges on the...
Canadian transport wagons move through the streets, crowded with civilians. More civilians cross a fragile-looking plank bridge over the river, which has replaced a damaged iron bridge. Marching colum...
In the streets of Glasgow the crowds cheer and wave Union Jacks, good naturedly jostling the camera, which is down at street level with them. In Dublin the celebrations are more restrained, consisting...
The war still raged in Europe and Finnish Lapland, but in Helsinki, the new year, 1945, was welcomed extravagantly at the Exhibition Hall. Tauno Majuri (1907-1980), hosted the festivities; music was p...
Midsummer in the country and in the city. City dwellers travel to the countryside to enjoy midsummer sauna amongst the aroma of birch and rowan. Outdoor dance floors create the right mood for people o...
Szene aus "The White Room"
Szene aus "Hundert Jahre Brecht"
Lissy Arna, Hans Stüwe
Szene aus "Furcht"
John Malkovich, Volker Schlöndorff (vorne, v.l.n.r.) (Dreharbeiten)
Wilhelm Dieterle, Margarete Lanner
Brigitte Grothum
Bozidar Kocevski (right) in "Darkroom" (2019)
STILL ABOUT NTINOS DADIRAS’ "RENDEZVOUS IN VENICE" : THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
STILL ABOUT STELIOS TATASOPOULOS’ FILM : FRONT COVER, FILM REVIEW, A FEW WORDS ABOUT THE PLOT, THE FACTORS OF THE PRODUCTION AND THE CAST. [photo of the back cover].
STILL ABOUT VASILIS MAROS’ FILM “THE AEGEAN TRAGEDY”. A FEW WORDS IN ENGLISH AND GREEK ABOUT THE FILM FROM THE DIRECTOR. ALSO, THE FACTORS OF PRODUCTION.
STILL ABOUT STAVROS TSIOLIS’ “CITIES’ JUNGLE” (CITY JUNGLE). THE CAST AND THE FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT MICHALIS KAKOGIANNIS’ FILM “IPHIGENIA”: THE FACTORS OF PRODUCTION AND CAST. IT INCLUDES PHOTOGRAPHS. [photo of the back cover].
STILL ABOUT ALEKOS SAKELLARIOS’ FILM “ACE OF SPADES” (ENGLISH TITLE): THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS.
STILL ABOUT NIKOS KOUNDOUROS’ “VORTEX, MEDUSA’S FACE”: A NOTE BY THE DIRECTOR, REVIEWS, THE FACTORS OF PRODUCTION AND PHOTOS.
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the inside].