Anna, a girl from the country, sets out through the flowers with her purse and basket for the post office (actually at Shepperton). She tells the man she meets outside the post office that she can spe...
The film opens with a still of Kitchener superimposed on the sea. Then a Union Jack being hoisted at a ship's stern (meant to represent the Hampshire). A diagram of the currents between the Orkneys an...
I. A long sequence of 2/4th Battalion, the Dorset Regiment, with its band leading, marching into Bethlehem (poor quality film). II. Allenby's visit to Bethlehem, 25 December 1917. He can be seen among...
The soldiers are from various regiments and branches. One group returns from bathing in the lake, carrying towels and wearing khaki drill uniforms and 'Wolseley' pattern sun helmets with badges on the...
Canadian transport wagons move through the streets, crowded with civilians. More civilians cross a fragile-looking plank bridge over the river, which has replaced a damaged iron bridge. Marching colum...
In the streets of Glasgow the crowds cheer and wave Union Jacks, good naturedly jostling the camera, which is down at street level with them. In Dublin the celebrations are more restrained, consisting...
The war still raged in Europe and Finnish Lapland, but in Helsinki, the new year, 1945, was welcomed extravagantly at the Exhibition Hall. Tauno Majuri (1907-1980), hosted the festivities; music was p...
Midsummer in the country and in the city. City dwellers travel to the countryside to enjoy midsummer sauna amongst the aroma of birch and rowan. Outdoor dance floors create the right mood for people o...
Szene aus "The White Room"
Szene aus "Hundert Jahre Brecht"
Lissy Arna, Hans Stüwe
Szene aus "Furcht"
John Malkovich, Volker Schlöndorff (vorne, v.l.n.r.) (Dreharbeiten)
Wilhelm Dieterle, Margarete Lanner
Brigitte Grothum
Bozidar Kocevski (right) in "Darkroom" (2019)
STILL ABOUT G. DALIANIDIS’ “MERMAIDS AND TOUGH GUYS” (LES PERLES GREQUES) : THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT GAZIADIS BROS’ FILM “THE STORM”. DRAMA DRAWN ON GREEK REALITY AND FILMED ON LOCATION AT SOME OF THE MOST MAGNIFICENT LANDSCAPES IN GREECE.
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the front cover].
STILL ABOUT MIHALIS KAKOGIANNIS’ “IPHIGENIA” IN ENGLISH AND FRENCH: A SUMMARY OF THE PLOT, THE FACTORS OF PRODUCTION’S BIOGRAPHICAL NOTES AND A LOT OF PHOTOS. [photo of the front cover].
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.
STILL ABOUT TAKIS KANELLOPOULOS’ “MEMORIES OF A SUNDAY”: A SUMMARY OF THE PLOT, CAST, FACTORS OF PRODUCTION AND PHOTOS. [photo of the front cover].
STILL ABOUT G. STAMPOULOPOULOU’S “MARCHING ON GLORY” WITH THE PLOT IN THREE LANGUAGES: ENGLISH, FRENCH AND GERMAN. [photo of the flyer’s one side].
STILL ABOUT THANASIS RENTZIS’ FILM “BIOGRAPHY”. ON PAGE ONE, PICTURES OF OLD ENGRAVINGS AND ON THE BACK PAGE THE FACTORS OF PRODUCTION. A FEW WORDS ABOUT THE FILM AND THE DIRECTOR.