An experimental film in the form of a riddle by artist Gillian Steel.
Everyday life in the crofting community of Acharacle, Lochaber, in the 1950s.
Nach einer Umweltkatastrophe breitet sich der (fiktive) bolivianische Salzsee Diablo Blanco immer weiter aus und bedroht die Lebensräume von Menschen und Tieren. Im Auftrag der Vereinten Nationen sol...
Dokumentarischer Film-Essay, der sich aus unterschiedlichen Perspektiven der Frage nähert, wie die Zukunft der Menschheit aussehen könnte. Dabei geht es nicht zuletzt um die Frage, welche Hoffnungen...
In 1968 Irmin Schmidt and Holger Czukay founded the band Can in Cologne, which cultivated an avant-garde style somewhere between free jazz and funk, krautrock and psychedelic rock, and also experiment...
Hans Albers in "Große Freiheit Nr. 7" (1944)
Filmplakat
Emil Jannings (standing), Robert Klein-Lörk (right) in "Der blaue Engel" (1926)
Phil Jutzi (right) whil shooting "Mutter Krausens Fahrt ins Glück" (1929)
Still taken from the Buenos Aires copy of "Metropolis", which contains numerous scenes thought to be lost. (Image editing: Dennis Neuschäfer-Rube for ZEITmagazin)
Marianne Hoppe in "Romanze in Moll" (1944)
Camilla Horn in "Faust" (1926)
Hans Albers, Birgitte Horney
Memo with modification proposals for "Mädchen hinter Gittern".
Daily production report No. 8, 31 May 1965 on the shooting of "Mädchen hinter Gittern".
Daily production report No. 14, 06 June 1965 on the shooting of "Mädchen hinter Gittern".
Daily production report No. 22, 22 June 1965 on the shooting of "Mädchen hinter Gittern".
Dialogue list (excerpt) for "Mädchen hinter Gittern".
Screenplay (2nd version, excerpt) of "Mädchen hinter Gittern", with handwritten revisions by Artur Brauner.
Screenplay (excerpt) of "Die Privatsekretärin".
Daily production report No. 29, November 24, 1953 on the shooting of "Die Privatsekretärin".