Om to vagtværnsfolk der undrer sig over at alle de steder hvor de bliver udstationeret bliver plyndret af tyve. Da de prøver at undersøge sagerne ender de med at have både forbrydere, politiet og ...
A partisan fighter saves 70 villagers from the firing squad during the German occupation. When he falls into a gorge trying to escape his pursuers, the villagers consider him dead and erect a statue i...
Patriotism, love and treason in the United States during the First World War. Barker manages to give every scene the right climate through inventive use of color. From semidocumentary to cruel melodra...
A pickpocket acts as an inept golfer. Helpful souls become robbed. A female pickpocket turns up. The two pickpockets pick the golfers pockets. But they become disclosed. They try to escape and shoot a...
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.
When the now-wealthy Jack sees his former lover by chance on the silver screen, he immediately goes looking for her.
Irja von Bernstorff (second from the right), Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)
A partisan fighter saves 70 villagers from the firing squad during the German occupation. When he falls into a gorge trying to escape his pursuers, the villagers consider him dead and erect a statue i...
Patriotism, love and treason in the United States during the First World War. Barker manages to give every scene the right climate through inventive use of color. From semidocumentary to cruel melodra...
Ursula Geyer-Hopfe, Peter René Lüdicke
Filmplakat von "Long Hello and Short Goodbye" (1999)
Nicolette Krebitz, Marc Hosemann
Sunnyi Melles, Axel Milberg
Daily production report No. 16, 15 September 1956 on the shooting of "Ein Mann muß nicht immer schön sein".
Ganzemüller. "Der Kino in Diensten des Bayerischen Bauernvereins." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 39-40. G. berichtet vom Einsatz des Films als Erz...
Daily production report No. 20, 04 September 1964 on the shooting of "Das 7. Opfer".
Daily production report No. 29, 06 October 1959 on the shooting of "Am Tag als der Regen kam".
Brief des bayerischen Innenministeriums an die Präsens-Film GmbH vom 09.06.1933. Betreff: Widerruf des Bildstreifens "Frauennot - Frauenglück". Ablehnung der Zurücknahme des Widerrufsantrags.