Om to vagtværnsfolk der undrer sig over at alle de steder hvor de bliver udstationeret bliver plyndret af tyve. Da de prøver at undersøge sagerne ender de med at have både forbrydere, politiet og ...
A partisan fighter saves 70 villagers from the firing squad during the German occupation. When he falls into a gorge trying to escape his pursuers, the villagers consider him dead and erect a statue i...
A pickpocket acts as an inept golfer. Helpful souls become robbed. A female pickpocket turns up. The two pickpockets pick the golfers pockets. But they become disclosed. They try to escape and shoot a...
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.
When the now-wealthy Jack sees his former lover by chance on the silver screen, he immediately goes looking for her.
Patriotism, love and treason in the United States during the First World War. Barker manages to give every scene the right climate through inventive use of color. From semidocumentary to cruel melodra...
"Above and Below" (2012-14)
"Rivers and Tides" (1998-2001)
Branislav Trifunovi?, David Thornton (v.l.n.r.)
Szene aus "Losers and Winners"
Szene aus "Noise and Resistance"
"Above and Below" (2012-14)
Filmplakat
"Messi and Maud" (2017)
French screenplay (excerpt) of "Die Spaziergängerin von Sans Souci".
Internal correspondence on a new title of "Das verbotene Paradies".
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...