A silent comedy in which a jealous woman wants to catch her husband in the act of infidelity.
By offering him a drink, the doctor gets the bed-ridden patient back on his feet in a snap. The content of the film has much in common with De zieke gemeente-ambtenaar (The Sick Municipal Official), o...
A romantic Western in which a notorious criminal who is in love with the fiancée of the sheriff digs his own sentence by reuniting the sheriff, whom he has wounded, with the girl.
A documentary about the towns on the Zuiderzee.
A comedy in which the unattractive young woman De Roseville loses her handbag. The bag is found by a pretty girl, but then she also forgets about it. When a young man brings the bag back, he expects t...
After a drive through Amsterdam in a carriage, "Hadt-je-me-maar", dressed as a gentleman, takes his place as city-councillor in the Amsterdam Municipal Council, where he is warmly applauded by a group...
A short comedy in which a man must pay for his adultery in the form of a prison sentence.
Short film of the audience leaving the afternoon show at Circus Carré. In the early years of film, shots of visitors after a performance, churchgoers after a service, or workers leaving the factory w...
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
"And-Ek Ghes..." (2015/16)
Natasja Juul in "Near and Elsewhere" (2018)
Michael Shannon in "Salt and Fire" (2015/16)
Episode: Gene Ratio
Rosana Pastor, Ian Hart
French screenplay (excerpt) of "Die Spaziergängerin von Sans Souci".
Internal correspondence on a new title of "Das verbotene Paradies".
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...