Images from the submarine 'Espadarte' and some of the crew members.
Incomplet. The visit of the british carrier to Lisbon.
The film shows the façade of the Palace Hotel of Vidago and includes images of the guests at the main staircase, the Thermal Waters facilities, the Hotel's restaurant, and a panoramic shot over Vidag...
Unedited footage. At the Chrystal Palace, in Oporto, an automobiles exhibition. Panoramic view of the city. The car stands.
The arrival of the Portuguese Destroyer “Vasco da Gama” in Barcelona, the ship’s docking and visit by Afonso XIII, King of Spain and other high-level individuals.
Upon today’s knowledge, only the image subsists.
Overview of Alfama district, Lisbon.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Notes on the need of a law enforcing the protection of the Portuguese film industry.
Short note on the inexistance of Portuguese legislation on film industry.
A foretaste of Portuguese cinema's success in the year of 1930.
Notes on the educational potential of film.
On the potentials of sound film for the recording of Portugal’s oral traditions.
A protest on the fragmentation of a film about Angola as a way for exhibitors to enforcing the law.
Notes on a group of documentary films and on documentary cinema in general.