Carts pulled by horses march in Campo Grande with spectators in the stands. Occasionally we see flowers being throwed.
Maputo (formerly Lourenço Marques), Mozambique. Portraits of some of the oldest Mozambique settlers. The opening of the Old Settlers Mansion House.
The landing of excursionists in the Tagus river. Sintra (Palaces of Pena and Sintra), Casino Estoril, Lisbon (Terreiro do Paço, Rossio, Avenida da Liberdade, Jerónimos Monastery, Cais do Sodré).
The Mocidade Portuguesa ("Portuguese Youth") organization in the ceremonies of the 28th May.
Views of an attempt of aerial crossing Lisbon-Rio de Janeiro.
The arrival of the liner Niassa at the Guanabara bay, in Rio de Janeiro, in her maiden voyage of the new navigation route. Similar reception at the port of Santos in São Paulo.
Images of Oporto, its monuments and inhabitants.
The ceremonies held in Lisbon of the repatriation of remains of the former Brazilian emperors from Portugal to Brazil in 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Commentary on the film work of Artur Costa de Macedo.
Film review of 'Alfama, velha Lisboa'.
Manuel Antunes Amor reports on his documentary works in the East.
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Commentary on the Portuguese first public audience response face to a new art: film.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.