Carts pulled by horses march in Campo Grande with spectators in the stands. Occasionally we see flowers being throwed.
Maputo (formerly Lourenço Marques), Mozambique. Portraits of some of the oldest Mozambique settlers. The opening of the Old Settlers Mansion House.
The landing of excursionists in the Tagus river. Sintra (Palaces of Pena and Sintra), Casino Estoril, Lisbon (Terreiro do Paço, Rossio, Avenida da Liberdade, Jerónimos Monastery, Cais do Sodré).
The Mocidade Portuguesa ("Portuguese Youth") organization in the ceremonies of the 28th May.
Views of an attempt of aerial crossing Lisbon-Rio de Janeiro.
The arrival of the liner Niassa at the Guanabara bay, in Rio de Janeiro, in her maiden voyage of the new navigation route. Similar reception at the port of Santos in São Paulo.
Images of Oporto, its monuments and inhabitants.
The ceremonies held in Lisbon of the repatriation of remains of the former Brazilian emperors from Portugal to Brazil in 1921.
The exteriors of the studios of the Oporto-based film company, Invicta Film.
Film frame
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
film frame
portrait
Film frame
portrait
Film frame
Notes on the need of a law enforcing the protection of the Portuguese film industry.
Short note on the inexistance of Portuguese legislation on film industry.
A foretaste of Portuguese cinema's success in the year of 1930.
Notes on the educational potential of film.
On the potentials of sound film for the recording of Portugal’s oral traditions.
A protest on the fragmentation of a film about Angola as a way for exhibitors to enforcing the law.
Notes on a group of documentary films and on documentary cinema in general.