I. An out-of-focus sequence of General Sir Edmund Allenby (?) reviewing a marchpast by British or Indian Cavalry of the Desert Mounted Corps, Palestine Front, 1918.II. Arab workers filling bottles and...
1. Intertitle: White Guards on the way to the front. Image: White Guards on the march to the front. 2. Intertitle: White Guards salute German troops advancing to the front. Image: White Guards (with w...
War drama about a woman hero, in love with a military engineer and coveted by his odious collaborationist "krauts" . She does not give in to the blackmail of a German who is lying to her about her fia...
War drama about a woman hero, in love with a military engineer and coveted by his odious collaborationist "krauts" . She does not give in to the blackmail of a German who is lying to her about her fia...
Close-up of a sergeant holding a football marked 2Y&L. Pan over the men of the battalion, lying, sitting or standing informally, with two Lewis machine guns in the front row. Two lance-corporals sitti...
Melodrama about presumed adultery, jealousy and honour.
The film shows images from Rjukan and the surrounding area. We see narrow roads and sharp curves, the famous waterfall and the power plant, construction and industry, mountain dairy farming and reinde...
An unidentified (and unfortunately incomplete) exotic melodrama, tends towards De Mille's The Cheat. Considered by specialists as a German film.
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A cartoon combining drawings and live footage, in which a drawing comes to life while its author isn't there. The film's director began as a political cartoonist and in 1914 founded Bray Studios, amon...
Trailer (draft) for "Liebe", handwritten.
Dialogue list (excerpt) for "...und abends in die Scala".
Internal correspondence regarding "...und abends in die Scala".
Daily production report on the shooting of "Was eine Frau im Frühling träumt", No. 1, 02 May 1958.
Daily production report No. 19, 03 September 1964 on the shooting of "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...
Costume excerpt for "The Indian Tomb", part of "Chandra" played by Walter Reyer.