Version with French language subtitles of part of IWM 17 the NEW CRUSADERS Men of 1/8th Battalion, the Hampshire Regiment, 54th (East Anglia) Division, on Samson Ridge, resting and eating. Some of the...
"USA Excursion Steamer Disaster" (208-2) "Rescuers working on the «Eastland» which capsized in the Chicago River", with the loss of over one thousand lives."Training mules for the Army" (208-2) "Mr ...
A 3-D documentary on WWI which combines historical footage, tinted stereoscopic images, film fragments, diary entries and letters from the front into a collage. Several narrators recite the historical...
Various news items about the First World War, compiled for home projection. Optimism and emphasis on international collaboration, remains preserved and the more gruesome or embarrassing war images wer...
Romantic film in which a couple who have been together for fifty years reminisce about the time they first met. Jack Stevens informs the couple Philippe and Maud Perkins, who are celebrating their f...
From private wedding festivities at a wooden villa in the city of Fredikstad.
A commercial for Rex Margarine with the Greek philosopher Diogenes as the main character.
Emperor Wilhelm II and empress Victoria of Germany on horses, escorted by horsemen, on their way to a parade at the Tempelhoferfeld in Berlin.
Screenshot from "Salem No. 6 Episode 15"
Szene mit Hansjörg Felmy (rechts), Benno Hoffmann (2.v.l.)
Dani Levy, Peter Lohmeyer (from left to right) in "Hausmänner" (1991)
Maria Schell, Ivan Desny in "Herr über Leben und Tod" (1954/55)
"Geilermanns Töchter - Wenn Mädchen mündig werden" (1973)
Eva Bartok, O.E. Hasse
German movie poster of "Lost Place" (2011-13)
Emily Cox, Andrea Wenzl (from left to right)
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A cartoon combining drawings and live footage, in which a drawing comes to life while its author isn't there. The film's director began as a political cartoonist and in 1914 founded Bray Studios, amon...
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.