The film shows the visit of King Haakon 7th to the city of Sandefjord in 1916.
The film gives a vivid and lively picture of landscape, buildings, industry and everyday life in the small city of Sandefjord in the southern parts of Norway.
Norwegian soldiers at military exercise in Northern Norway.
Newsreel with international and Norwegian content, among others shipbuilding, sailing, Pickford and Fairbanks' wedding, and winter sport activities.
Report from the ski jumping competition at the Holmenkollen ski jump in Oslo in 1917.
From the celebration of the Norwegian national day, the 17th of May, in the capital Kristiania, later named Oslo. The day is celebrated traditionally with choral singing, brass bands and children's ...
The film shows May Day parades and other arrangments under the auspices of the labour movement in Norway.
Two events in the city of Kristiansand around 1918: A rich Norwegian emigrant returns from America, and a memorial for sailors killed in World War I is unveiled.
Still with Carl Clewing (front, on the left)
Paul Kronegg, Traute Carlsen, Franz Herterich (from left to right)
Still with Henny Porten
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Rheinische Filmgesellschaft , Aus eines Mannes Mädchenjahren, Der Kinematograph, 645, (1919), S. 5.
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
Schumacher, Carl. "Zur 'Kinodramatik'." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 63-64. Schumacher stellt die Abwesenheit von Dialogen als das Hauptproblem...
Der Soldat und das Kino, Der Kinematograph, 420, (1915), S. 11-12. In vielen Kinos würden Soldaten auf Heimaturlaub einen Großteil des Publikums bilden. Viele Kinobesitzer würden glauben, dass dies...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.