I. SMS Prinz Regent Luitpold and Friedrich der Grosse pass camera. Medium shot of Friedrich der Grosse with pan to German battleships in line ahead. SMS Bayern and Kronprinz Wilhelm pass camera. Mediu...
The camera is fixed at a high position looking down onto Ludgate Circus as the various elements of the procession file through. Leading are Royal Marines and sailors, some of whom took part in the Zee...
(Reel 1) The Prince, wearing his naval uniform, comes on board HMS Renown at Portsmouth harbour on 14th March, shaking hands with Rear-Admiral Sir Lionel Halsey and Captain Dudley B N North. With the ...
In the introductory animation film, the figures of an Austro-Hungarian and a German soldier stand at the lower end of a see-saw spanning the Carpathians, while a high-ranking Russian officer (possibly...
After the death of Franz Joseph, Charles I of Austria was crowned Charles the IV of Hungary on December 30, 1916, in Budapest. The film is of the coronation ceremony, which took place in the Palace of...
"Reportage on what life is in the trenches on the Western Front. It questions the aim to be achieved in spite of the bloodshed and continuation of dying soldiers in the Belgian killing fields. This re...
Newsitems from all around the world.
Pathé newsitems showing a number of military subjects.
Pathé newsitems showing a number of military subjects.
Wide shot of a hospital corridor. Nurse Tonička (actress: Truda Grosslichtová) stands in the middle of the corridor clasping hands with Corporal Bartoněk (actor: Jiří Vondrovič), whose other arm...
Medium shot of several men sitting around a table with a half loaf of bread and a carafe of water. On the left sits Sakař (actor: Jindřich Plachta) with a bandaged neck. To the right sit Vyskočil (...
Wide shot of a corridor. Standing in front of the door to Dr. Šrámek's office are Nurse Mathilde (actress: Adina Mandlová) and Rjepkin (actor: Vladimír Borský) flanked by Austrian military guards...
View of an office. A colonel of the Austrian army (actor: Jaroslav Marvan) and Dr. Šrámek (actor: František Smolík) are standing at a desk. Behind Šrámek are two military guards (on the right, a...
Wide shot of an office. Dr. Šrámek (actor: František Smolík) is sitting at a desk and pointing at another doctor standing on the opposite side of the desk. Rjepkin (actor: Vladimír Borský) is st...
Wide shot of a corridor and a door with a sign indicating "MUDr. Fr. Šrámek." Standing in front of the door are nurse Mathilde (actress: Adina Mandlová), First Lieutenant Liška (actor: František ...
Lieutenant Rjepkin (actor: Vladimír Borský) is lying on a hospital bed in the foreground. Three figures are standing over him: Nurse Mathilde (actor: Adina Mandlová) on the left, and doctors Šrám...
View of a hospital room. In the centre of the image, cadet Severa (actor: Stanislav Strnad) is lying on a bed and hugging his mother (actress: Marie Ptáková), who is sitting next to him. Rjepkin is ...
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Theodor Zimmermann, Zur Lage in der Zensurfrage, Der Kinematograph, 624, (1918). Bericht, dass das Innenministerium befohlen habe, alle Zensurverordnungen unverzüglich aufzuheben. Lediglich Verordnun...
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Mercedes-Film GmbH, Die Leibhusaren und ihre Geschichte, Der Kinematograph, 565, (1917). Die Werbung verweist darauf, dass der Film durch von Mackensens Frau gefördert wird.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...
R. Genenchen, Kriegsunterstützung und Kinobesuch, Der Kinematograph, 506, (1916), S. 17. Bericht darüber, dass die Gemeinde Weida/Sachsen Soldatenfrauen, die Kinos besuchen, die städtische Unterst...