The 'big battle' structure of the film opens with the preparatory bombardment for the days before the attack, the Infantry marching to their final positions, the attack itself, the casualties, prisone...
The King and Queen arrive in Calais to start the visit. The King inspects war trophies at Bailleul with General Sir Herbert Plumer, then goes on to watch a tank demonstration and talk with a group of ...
A column of men from 1st Balloon Company, in the Meuse or Moselle region, march through a village. British "8-inch Naval rifles" (in fact 6-inch Mk VII guns) being fired by gunners of 27th (New York) ...
I. A posed group of crews and mechanics of 94th 'Hat in the Ring' Pursuit Squadron at 1st Pursuit Group airfield, Rembercourt, 18th October. Left to right 1st Lieutenant Edward V Rickenbacker, Major K...
(Reel 1) Text of Admiral Beatty's message to the Empire. Beatty's flag (Vice-Admiral's) is broken out, and the Grand Fleet puts to sea: US battleships of 6th Battle Squadron in line astern; medium sho...
I. Aerial medium shot of HMS Satyr (F.59) underway. Two surrendered U-boats pass beneath camera-airship, followed by Scott Class Leader, UC.III and U.160 Class (?) submarines. Medium shot, HMS Melampu...
(Reel 1) The film stresses that it shows normal RAF life and has not deliberately selected its scenes. It begins with a training camp for pilots in France. New pilots arrive and are brought from the s...
The squadron's tour takes in the principal ports of the Empire. At each port the ships of the squadron are thrown open to the locals. Vice-Admiral Sir Frederick L Field has his flag on board HMS Hood....
Dita Parlo, Lars Hanson
Still from "Die einsame Insel"
Paul Wegener
Paul Wegener, Lyda Salmonova
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
"Der Golem, wie er in die Welt kam" (1920)
Notes on the films portraying Portugal’s participation in WWI.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...
R. Genenchen, Kriegsunterstützung und Kinobesuch, Der Kinematograph, 506, (1916), S. 17. Bericht darüber, dass die Gemeinde Weida/Sachsen Soldatenfrauen, die Kinos besuchen, die städtische UnterstÃ...
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 27, 1919) -11 (29 May 1919). - Prague: M. Fuchs, 19...
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 27, 1919) -11 (29 May 1919). - Prague: M. Fuchs, 19...
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 13, 1919) -11 (May 29, 1919). - Prague: M. Fuchs, 1...